The research investigates the imperatives of safeguarding the intangible cultural heritage of Rumsu village in Himachal Pradesh amidst accelerating socio-economic transformations. Located in the cultural landscape of Naggar, Rumsu exemplifies a repository of indigenous knowledge systems manifested through traditional agricultural practices, pastoral activities, vernacular craftsmanship, and communal traditions that have sustained its ecological and social fabric for generations. However, the paradigm shift in the agrarian practices and burgeoning tourism enterprises threatens to disrupt these time-honored practices and their associated cultural expressions. Through ethnographic fieldwork, semi-structured interviews, and phenomenological analysis, this study documents the nuanced dimensions of Rumsu’s living heritage while examining the dialectical relationship between preservation and development. The research further proposes a framework for cultural conservation that integrates traditional ecological knowledge with contemporary sustainable practices, ensuring the continuity of Rumsu’s cultural legacy while acknowledging the inevitability of change. This framework acknowledges the dynamic nature of cultural evolution while advocating for the preservation of core cultural elements that define community identity and ecological resilience. The study contributes to the theoretical discourse on heritage conservation by offering empirically grounded insights into sustainable approaches that reconcile cultural preservation with community aspirations in rapidly transforming rural landscapes.
Supriya Kamshetty is an architect and watercolor artist with a master’s in interior architecture and design from CEPT. She has taught architecture and design across Manipal school of architecture and planning, Manipal, BMS college of architecture, Bangalore, and School of architecture and Planning, DIT, Dehradun . Her research focuses on furniture histories, building crafts and oral history. Supriya is passionate about sharing the joy of art through watercolour workshops. Additionally, she has published research on the iconography and decorative elements in the vernacular houses of South Canara.
Dr. Shahim Abdurahiman M is a Conservation Architect and an Assistant Professor at Jindal School of Art & Architecture (JSAA) and runs Brown Caravan, a practice focused on residential architecture, interior design, heritage conservation and research. He holds a PhD in Architecture and Planning from NIT Calicut, a Gold Medalist master’s degree in Architecture Conservation from SPA Delhi, and a B.Arch from NIT Calicut. A registered architect with CoA India, he is an active member of IIA, ICOMOS India, INTACH, and ICAC. His significant contributions include the Fort Kochi 2030 Vision project, Calicut Beach Redevelopment, Thalassery Heritage Project, and the Kavartti Smart City Project. He has previously taught at NIT Calicut and MES College of Architecture, and has published extensively in Scopus and Web of Science indexed journals. He is a recipient of the Mlayala Manorama Young Architect Award (2014) and was a nominated finalist for the IIA National Awards (2018).