Society. Spaces. Screens

Abstract

Perceptions, particularly their cinematic representations, significantly influence spatial evolution, shaping our understanding and interactions with spaces. In the Flemish urbanized landscape, perceptions are divergent: experts emphasize the need for densification and policy reforms, while residents persist in dispersed settlement patterns, causing a disconnect between planning discourse and everyday reality. This research bridges this gap by employing film as a representational tool to offer nuanced perspectives on the Flemish landscape. Cinematic perceptions, through their capacity to represent, reflect, and interact with spatial environments, can provide new insights into daily life and spatial dynamics. This study investigates whether fiction films can contribute to spatial planning in Flanders by analyzing eight contemporary films that depict Flemish urban landscapes. By examining cinematic visualizations to understand their representation of space, narrative relationships, and mediating role in planning, the analysis reveals how films use generic images of Flemish landscapes, elevate everyday spaces, and reflect socio-cultural themes. Interviews with directors and panel discussions with stakeholders further elucidate the films’ impact on spatial perception and planning. The research concludes that films broaden our view of urban landscapes, challenge mainstream perceptions, and highlight the versatility of these spaces. Cinematic representations offer new planning insights, contribute to cultural awareness, and inspire innovative approaches. This thesis advocates for integrating film into spatial planning practices, emphasizing its potential to foster interdisciplinary dialogue and achieve more resilient, sustainable, and inclusive planning. Integrating artistic techniques like film is crucial for sustainable spatial planning in today’s visually oriented society.