The imperfection of earth bricks is often understood as a synonym of low-tech construction in deprived communities. However, it is a simple and, per nature, circular material to build with. The project links state-of-the-art approaches with local traditions by highlighting earth as a contemporary building material. We emphasize the collective experience of building with sustainable materials, using technology to create a shared understanding of building with the community’s hands and to find a post-vernacular narrative for material that is available nearly everywhere: Earth as social sculpture. This project aims to reconnect people with the handmade craft of using earth bricks through digital tools. The bricks made by the students have been stacked on a wall with the help of a HoloLens that works by overlaying a digital 4-dimensional model over the physical world. Despite the mediation of a digital apparatus, the idea is to engage students or later the community in a comprehensive workflow involving handmade production and interactive assembly rather than promoting a mere robotic process The brick structure was developed with parametric design software that generated a real-time procedure directly streamed to the HoloLens. This parametric procedure indicated the worker on a field of mixed reality (integration) where to pick up the brick and place it precisely. In addition, during the assembly process, the height of the bricks had been constantly readjusted to account for the thickness of the mortar. This back-and-forth movement was a crucial point of this collaborative project, as the cycle evolved from the always unique interference of each participant. At the end, the goal of Digital Imperfection is to place humans on the focus of the digital assembly process, to support people’s identification with a “old fashioned” material and re-tell its story in the global south instead of aiming to build with “modern” C02 intensive materials.
Christian Schmitt is an architect and graduated from the TU Darmstadt in Germany. He was teaching at ETH Zurich with Anna Heringer and Martin Rauch with a focus on a material sustainably in particular earth and simple building methods. He is an experienced architect who has practiced in Germany, Switzerland and internationally in public projects like university and cultural buildings, offices buildings and educational projects in general. He worked on various award winning and widely published projects for Herzog & de Meuron and Ferdinand Heide and gained valuable experience in all fields of
Federico Garrido studied Architecture and attended postgraduate master studies in Advanced Architectural Design at the FADU-UBA in Buenos Aires, Argentina. From 2014 to 2018 he held a DAAD research scholarship for a PhD at TU Kaiserslautern. The research entitled ‘Innovative design strategies. The case of eclectic architecture in Buenos Aires 1880-1930’ focused on the relationship between manufacturing techniques and design strategies during the 19th century and its reinterpretation under the light of contemporary digital tools. He held teaching and research positions in Argentina, Germany and Egypt in topics of digital design, theory and digital fabrication, and he is also involved in research projects related to digital manufacturing and artificial intelligence in architectural design.