A call for a culture of care has arisen as an antidote to the challenges of our time: climate change, economic inequity, and a global pandemic. This call is grounded in a feminist discourse on the essential nature of care labor to sustain a world of mutual flourishing, and a critique of power: the imbalance of who and what we care for, reveals who we believe deserves a future. despite its economic invisibility in our society. For designers, care work might include construction, repair, and maintenance, or participatory practices that center the needs of a site’s community. These ideas underlie Landscape Design and an Ethic of Care, a course for students in architecture, urban design, planning, and landscape architecture. This paper, like the course, seeks to illustrate how the classroom serves as a test site for modeling an ethic of care in a community of learning as we explore the theory and practice of design with care. First, I will identify define a pedagogy of care in relation to Joan Tronto’s 4 stages of care: recognition of need, willingness to respond, direct action, and responsiveness. Then I will describe how this pedagogy reimagines student participation in typical design theory activities: reading discussion and case study research, as collaborative and reflective practices. This cross section through the course illustrates care-work as a tool for critical analysis, and as a constructive method for imagining and seeding a new culture of mutual flourishing within the design classroom – and perhaps, future design practices.
Maggie Hansen is a landscape designer and artist who brings multidisciplinary training to the design of public spaces. She earned a BA from the University of Chicago and a M.Arch/MLA from the University of Virginia Her design experience includes professional practice and community-based design. Maggie teaches studios and seminars that explore social practice with beginning and advanced students in landscape architecture, architecture, and urban design. Her work draws influence from social impact design, gardening, theater and performance, participatory art, and activist practices.