In his book Robot-Proof: Higher Education in the Age of Artificial Intelligence, Dr. Joseph E. Aoun, President of Northeastern University, laid out a new vision of higher education, which unites three key literacies—“data literacy,” “technological literacy,” and “human literacy”—under a single theory of education he calls “humanics.” As an educator at Northeastern University, I am called to bring my courses in alignment with this vision, though I have struggled with this as a humanities scholar. Sure, my courses reflect the goals of “human literacy,” yet I wonder how I can bring my courses in greater alignment with the tripartite structure of humanics. Is humanics merely a rehashing of the concept of “digital humanities”? If not, why not? Would shifting my focus more in line with humanics drastically change the questions and methods I teach in my classrooms? To what effect? For the Teaching Beyond the Curriculum conference, I propose an exploratory presentation in which I analyze the vision of “humanics” for higher education and translate its lessons into practical applications for a traditional humanities classroom. Tentatively, I argue that humanics, as Aoun presents it, is a call for STEM scholars to invite their students to ask human-oriented questions related to psychology, society and ethics when engaged in technical and scientific inquiry. But the inverse, the practical application of technology and data in a humanities classroom focused on the formal or theoretical analysis of culture is less clearly defined. Of course, I am bracketing the abundance of quantitative and qualitative research in humanities and humanities-adjacent disciplines, where data analysis and digital technologies are already centralized. But with this presentation I wonder: what would it mean, in practical terms, to bring information and technology into greater focus in my course design and lesson planning as a scholar focused on formal and theoretical methods of analysis?
Laurel Ahnert is an Assistant Teaching Professor in the Media and Screen Studies Program at Northeastern University. She holds a Ph.D. in Communication (Moving Image Studies) from Georgia State University and an M.A. in English from Syracuse University. She specializes in film history and film theory, with an emphasis in ethics and documentary cinema. She teaches a variety of classes on special topics in film, as well as courses that cover ethics and identity in media representation. Her work has been published in the New Review of Film and Television Studies and Social Text.