Titles
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A critical Study of the Aguda (Afro-Brazilians) Architectura...A Dynamic Management System for World Heritage Sites in FluxA Methodology of Reality Capture with M-BIM for Heritage Sit...A Study on Conservation of Historic Villages as “Living He...Adaptive Reuse of Trullo Structures: From Vernacular Archite...Al-Karkh in Verse and Game: Epistemological Center-Periphery...An Investigation into Rural Architecture and Cultural Contin...Art Across Time: An Australian Case StudyArt, Digital Heritage and RestitutionsAssessing the Heritage Values of the Cyprus Government Railw...Automating Intangible Heritage: Comparative Perspectives on ...Between Ghosts and Gambles: Heritage, Decadence, and the Amb...Beyond the lighthouse: lessons learned from a pilot project ...Bhutan: In Pursuit of a Sustainable WorldCairene Car-Culture: How are Automobility and Social Behavio...Canberra – Urban Infill and the Disappearance of the Bush ...Co-planning Tangible and Intangible Cultural Heritage for Sp...Contemporary Heritage: Jørn Utzon’s Approach to Local Con...Continuity - preserving Historic Urban Landscape (HUL) and t...Cultural Positions : Heritage Administration and Political A...Cultural Resistance through Technological Adaptation: The Hy...Cupcakes and Curiosities: Backup Ukraine, Cultural Heritage ...Dayak’s Harvest Cultural Festival between Tradition and Cu...Decolonial Heritage Practices of Black Women in Chile and Co...Deconstructing Memory: Rethinking Kenter Theatre as a Multil...Designing for the Desert: Examining Contrast in Contemporary...Designing Nostalgia: Exploring Heritage as a Cultural and Em...Digital Community Co-creation as a Conduit for Addressing Sy...Digital Intimate Space: AR and VR in speculative future disp...Digital Perpetuation of Intangible Cultural Heritage: A Cros...Digitizing the Past: The Rise of 3D Scanning and Photogramme...Diriyah's Digital Echoes: How the artificial intelligence in...Early Republican Football Stadiums in Turkey Faced Conservat...Enhancing the Environmental Sustainability of Maritime Green...Game(over)tourism: World Heritage Status and Natural Sites b...Heritage Digitization: Case of Illaco House -Karachi : Pakis...Heritage of Wadi Hanifah: Navigating Socio-Cultural Complexi...Heritage Preservation and Interpretation – A Case Study o...Historicising Generative AI design models in Architecture Th...Imperial Shadows: Addressing Indigenous Exclusion in London...Industrial Heritage Reimagined: A Comparative Analysis of 20...Intersections of Digital Craft and Heritage: Computational T...Istanbul Design Museum at Suleymaniye as a Contested Heritag...Latent Connections: revealing what is in commons.Lights On! Illuminating Identity Through Shared Histories an...Locating the interface between traditional architecture and ...Milestones of (contested) memories: monuments and murals on ...Object Learning: A Journey Towards Active LearningOpen_Access: Democratising Dunedin’s HeritagePenn Center Studies: Iterative Documentation for Proactive P...Plastic Landscape: Plasticity and the Non-Human Temporalitie...Priest or Performer: Negotiating Subjectivity in Shaowu Nuo ...Public Art and the Urban EnvironmentReconstruction and Retouching of Polychromy on Stone Sculptu...Regeneration of Urban Cultural Landscapes: A Case Study of A...Reimagining Lisbon: The Convergence of Architectural, Urban,...Resurrecting Footprints: Re-interpreting Lost Heritage in Co...Revitalizing Heritage in Depopulating Regions: Challenges in...Reviving an Overlooked Art: The Historical and Cultural Sign...Rituals and Social Practices: The Symbolism of Traditional C...Sacred Land: Decolonial Ecologies and the Indigenous cultura...Shaping Commerce: The Evolution of Retail Architecture in Lo...Street and Contemporary Art in Post-Conflict Cities: Express...Surviving Heritage: Colonial Heritage and Counter-Colonial M...The Adoption of the "Garden City" Model in the City of São ...The Augmented Memory Palace: Embedding Cultural Narratives, ...The Hole - DelikThe Intention of Garden in Rooftops: Historical Continuities...The Lost Rivers of Te Whanganui-a-TaraThe Mutuality of Heritage Sites and Informal Settlements: A ...The Preservation of Cultural Heritage through Real Estate De...The role and impact of heritage practitioners within a triba...The Vokil Bench: Material Adaptation, Colonial Modernity, an...Transformation of Cultural Heritage Over Time – Current De...Unveiling the Hidden Narratives of Cities: The Role of the S...Using Heritage as a Tool. Enhancing Rural Areas through Arch...Voices: Music Heritage Reimagined through Machine singersWelcome and introduction
Schedule

VIRTUAL London Heritages Conference

Critical Questions – Contemporary Practice
Automating Intangible Heritage: Comparative Perspectives on AI and Cultural Preservation in Iran and China
N. Haghdoust

Abstract

This paper explores the growing entanglement of artificial intelligence (AI), robots, and avatars with the preservation of intangible cultural heritage, focusing on the contexts of Iran and China. As emerging technologies increasingly shape how cultural memory is recorded, performed, and transmitted, they simultaneously raise critical questions around authenticity, embodiment, and political control. Traditionally, the preservation of intangible heritage has relied on human-centered, embodied practices rooted in lived experience. The shift toward automation challenges these foundations and introduces new tensions. While Iran currently lacks widespread access to advanced robotics or AI for cultural documentation, there is a visible enthusiasm for adopting new technologies in heritage initiatives. Despite this interest, there remains a significant gap in scholarly discussion and critical evaluation of such technologies in the Iranian context. Drawing on a comparative framework, this paper examines China’s use of AI-driven avatars—such as XiaoIce—for cultural communication and education, highlighting how digital tools may be mobilized not only for preservation but also for ideological purposes. By analyzing how humanoid robots and AI avatars simulate rituals or embody traditional knowledge, the paper questions whether such practices preserve cultural meaning or merely replicate disembodied forms stripped of context. It further speculates on how similar technologies could be adopted in Iran, raising concerns about potential cultural homogenization and surveillance. Ultimately, this research emphasizes the need for a critical approach to technological heritage practices—one that interrogates who controls the narrative, what is preserved, and how culture is performed in increasingly automated futures.

Biography

Nahal Haghdoust holds a Bachelor’s degree in Architecture and a Master’s degree in Art Research. She previously worked as a researcher at the Ministry of Cultural Heritage, Handicrafts, and Tourism of Iran, where she focused on Intangible Cultural Heritage. Her work has been featured in various newspapers and art magazines, and she has presented papers at the AMPS conferences in 2022, 2023 and 2024. Nahal is currently pursuing a Ph.D. at the School of Communication at Simon Fraser University.