Titles
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Action and Compassion, A Pedagogical Framework for Design Ac...Adaptive Teaching Strategies to Meet Diverse Student Needs: ...Civic Reasoning for Social and Educational equity: Exploring...Classroom Learning Community: An analysis of students’ sel...Collaborative International Exhibition: Looking Out While Lo...Comprehending Bio-Based Materials: Experimental Modes of Lea...Creating a More Inclusive and Adaptive Robotics Training wit...Decentralization and democratization of design educationDefining Pedagogical Innovation in K-12 EducationDesign Research | Research Design: A New Model for Experient...Doors Open & Check-inDreaming of Distant Pleasures: Teaching Geography with Music...Empowering Educators: Creating an Online Manual for Teachin...Flipping the Academic Script: An Instructor's Flipped Approa...From Passive Reception to Active Co-creation: The Ethical De...From speculative to non-Fictitious: How Fieldwork Redefines ...Grounding Virtual Learning Experiences through Creative and ...Heuristic process and speculative architecture in participat...How do generative AI tools as ChatGPT enhance university stu...Instead of Objects: Designing Design EducationIntegrating Artificial Intelligence into Language Learning: ...Lunch Options On-siteModule Office Hours as a Space for Critical Thinking in Busi...Museum / Gallery Visit - The BroadPleasure and Play as a Pedagogical Tools for Building Critic...Racism, Dehumanization and LinguisticsRadLab: Creating a student-centered peer-to-peer research la...Representation as Self-Discovery in the Liberal Arts Classro...RITChina Model of Team Teaching: A Problem-Solving PedagogySocial Gathering - Airliner BarSocial Gathering - Barbara's at the Brewery Student-Developed, Student-Designed: Empowered Learning thro...Students’ Perspectives on Integrating Design Thinking in P...Teaching Information Literacy in a Post-Truth SocietyThe Prison Graduation Initiative: Towards a holistic model o...The Reparative Turn, Consideration, and the Fine Art CritThe Value of Sketching and Architectural Study Abroad: More ...Troubling the Hierarchy of Doctoral Supervision – Critical...Trump’s Racist Rhetoric: How do We Guide our Students and ...Unfazed, Prepared and Excited: Developing Inclusive Pedagogy...Using Signature Pedagogies to Determine Discipline-Specific ...What Professors Talk About When They Talk About Teaching
Schedule

IN-PERSON New Schools of Thought

Part of the Focus on Pedagogy Series
Unfazed, Prepared and Excited: Developing Inclusive Pedagogy and Knowledge Exchange between Students, Academics and the Film Industry at Falmouth University’s Sound/image Cinema Lab.
N. Fox
1:00 pm - 3:00 pm

Abstract

Knowledge Exchange has become a key strategic objective in UK Universities. The goal of a sophisticated and equally beneficial flow and transfer of knowledge been students, academics and industry partners has seen numerous assessed and extra-curricular projects built into programmes and professional development opportunities for undergraduates and postgraduates. However, many of these projects struggle to include students to the degree that they are, and feel like they are, contributing meaningfully to the exchange, in ways that help them develop their personal, creative and academic identities. This is particularly pertinent as many students from previously excluded backgrounds in the UK creative industries often shy away from knowledge exchange projects and enhancement activity with the ingrained belief that these opportunities are ‘not for them’. Falmouth University’s Sound/Image Cinema Lab is a pedagogy, research and practice project that partners with UK and international professional, independent filmmakers to provide students, staff and graduates with unique opportunities in film production that result in increased attainment, career, employability and self-confidence outcomes for those who participate in the project. This paper discusses how the Lab has developed pedagogic partnerships where students of all backgrounds and levels of experience are included in professional production practice to a degree that surpasses casual labour, how this experience has altered industry perception of what students are capable of in a professional setting during their studies – and industry perception of what a university partnership can look like – and how these experiences have shaped individual student, cohort and course identity over the past decade.

Biography

Neil Fox is professor of film practice and pedagogy at Falmouth University where he is the research and strategy lead for the Sound/Image Cinema Lab, a production partner on films such as Enys Men (Jenkin, 2022) and A Year In A Field (Morris, 2023). He also leads the Centre for Pedagogy Futures. He is one of half of the The Cinematologists podcast – “consistently one of the finest film podcasts around” (Sight and Sound). His debut feature film as screenwriter ‘Wilderness’ was released by Sparky Pictures in 2021 and his first book, Music Films, was released by BFI/Bloomsbury in May 2024.