Titles
T-Z
Technologies Evolve: Visualizing Mixed Reality Over Time in ...Temporal Place(s): Transitory Representations of the Landsca...Temporospatial Mediator: Site-specific Theater within Cultur...The Digital Agency, Protest Movements, and Social Activism d...The Dormant Buildings of Imbros: Dami, Photogrammetry and Dr...The Empty Eerie: Exploring the uncanny nature of empty space...The Future of Dwelling: The KitchenThe Future of Object, Approach, and Setting when Curating in...The Image of Territory: Landscape Perception and Infrastruct...The Image, the Imaging and the Imagining of the InteriorThe Incomplete Results of an Act of MappingThe Inter-generational Comparison of Balinese Houses: a Spac...The Intersecting Landscapes of Cinema Production and Exhibit...The Poverty of EmbodimentThe Realities of FragmentsThe Role of Screen Space in Architecture and Film as Multime...The Screen as Surface, Site and SpaceThe Screen, Intimacy, and the Attention Economy: Are We Ever...The Space of VistaVisionThe Substantive Content of Eryri - A Lived Landscape with a ...The Time HouseThe Unrepresented Chicago of 1893The Urban Photographic Portrait: Paradigms and ProjectsThe Visual as Narrative Practice: Using Images to Construct...The Visuality of Urban Digital TwinsTlatelolco Disproved; a participatory mapping of life, in Ma...Tools to Imagine: Digital Methods of Investigating Classical...Towards the Unknown. Projection, Prediction, PotentialityTracing the Familiar: Spatial Research through Essayistic Fi...Undergoing Change: the Potential of a Liminal State for Hosp...Undocumented History: Accessing the Intangible Past Through ...Uniting Space and Time in the Documentation of Urban Setting...Visionary Rumours Lost in Space – between rationale and re...Visualising Storytelling through a Locally Based Digital Way...Visualization and Parametric Design of Sustainable Domes, In...Walk’s Eye: Traversing Diverse Territories with GoPro Came...Welcome and IntroductionWhiteness, Reloaded: Addressing the ghosts in reverse* of th...Who needs film for city symphonies? Edwin Rousby. Showcasing...‘Zoom-Walks’ and Cyanotypes: Materializing Screen Ontoph...“You’ve seen one post-apocalyptic city, you’ve seen th...
Presenters
Schedule

Representing Pasts – Visioning Futures

Technologies Evolve: Visualizing Mixed Reality Over Time in Cinema Production
S. Nassar
4:30 pm - 6:30 pm

Abstract

Mixed reality refers to a novel state-of-the-art technology, which has the potential power of shaping the future of people’s lives through the introduction of a unique approach to information presentation. Spatial design is a type of conceptual design that advances from the traditional specialism in art to deliver value and immersive experience in real and virtual spaces. Formerly, classic cinema was more of narrative art, but with time it has adopted spatial art that situated the stories and the objects in a virtual world. Mixed reality is the newest technology after virtual reality and augmented reality, and it allows the user to see virtual images that are more real and precisely reflect the real world. This technology is a product of rapidly evolving and changing technology that merges the virtual world with the real world which becomes widespread. This paper relies on the literature review and classifies information on the mixed reality over time through a literature analysis of relevant research papers published within the 5 years, this analysis reveals the trend in terms of the past and present experiences of mixed reality prediction on the future projections of the technology. It also debates filmmaking as an applied field to expose the advantages and disadvantages of mixed reality interfaces into the cinematic production. This paper is designed as an overview to reflect the current and future aspects of mixed reality in cinema and how it has impacted spatial design in film production which considered a virtual system to stage movement with ability to present space solutions related to the viewer perception. Its main objective is to assist in understanding the trend technology and focus on the applications as well as implications of the research where the mixed reality interfaces are more applicable.

Biography

Associate Professor at MSAUniversity, faculty Arts and Design (Cinema and Theatre Department). With a master’s degree in animation, and Ph.D. in Cinema Studies. Verified reviewer with Clarivate and WoS, in an academic journal (Q1). Certified Oxford AI Programme by UK CPD Certification, associated with, UK-based professional bodies. Certified Huawei HCIA-AI instructor. Certified trainer from CPD, UK. Certified Climate Change Ambassador En-Roads Program, MIT Sloan school. She is dual citizen Canadian/ Egyptian, lives in Canada.