Titles
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Technologies Evolve: Visualizing Mixed Reality Over Time in ...Temporal Place(s): Transitory Representations of the Landsca...Temporospatial Mediator: Site-specific Theater within Cultur...The Digital Agency, Protest Movements, and Social Activism d...The Dormant Buildings of Imbros: Dami, Photogrammetry and Dr...The Empty Eerie: Exploring the uncanny nature of empty space...The Future of Dwelling: The KitchenThe Future of Object, Approach, and Setting when Curating in...The Image of Territory: Landscape Perception and Infrastruct...The Image, the Imaging and the Imagining of the InteriorThe Incomplete Results of an Act of MappingThe Inter-generational Comparison of Balinese Houses: a Spac...The Intersecting Landscapes of Cinema Production and Exhibit...The Poverty of EmbodimentThe Realities of FragmentsThe Role of Screen Space in Architecture and Film as Multime...The Screen as Surface, Site and SpaceThe Screen, Intimacy, and the Attention Economy: Are We Ever...The Space of VistaVisionThe Substantive Content of Eryri - A Lived Landscape with a ...The Time HouseThe Unrepresented Chicago of 1893The Urban Photographic Portrait: Paradigms and ProjectsThe Visual as Narrative Practice: Using Images to Construct...The Visuality of Urban Digital TwinsTlatelolco Disproved; a participatory mapping of life, in Ma...Tools to Imagine: Digital Methods of Investigating Classical...Towards the Unknown. Projection, Prediction, PotentialityTracing the Familiar: Spatial Research through Essayistic Fi...Undergoing Change: the Potential of a Liminal State for Hosp...Undocumented History: Accessing the Intangible Past Through ...Uniting Space and Time in the Documentation of Urban Setting...Visionary Rumours Lost in Space – between rationale and re...Visualising Storytelling through a Locally Based Digital Way...Visualization and Parametric Design of Sustainable Domes, In...Walk’s Eye: Traversing Diverse Territories with GoPro Came...Welcome and IntroductionWhiteness, Reloaded: Addressing the ghosts in reverse* of th...Who needs film for city symphonies? Edwin Rousby. Showcasing...‘Zoom-Walks’ and Cyanotypes: Materializing Screen Ontoph...“You’ve seen one post-apocalyptic city, you’ve seen th...
Presenters
Schedule

Representing Pasts – Visioning Futures

The Dormant Buildings of Imbros: Dami, Photogrammetry and Drawing
J. Graham & S. Ercan
12:30 pm - 2:30 pm

Abstract

This joint paper discusses the idea of ‘waking’ abandoned historic structures by employing 3D photogrammetry as both a process of drawing and a means of visualisation, with the modern metaphysics of Graham Harman’s OOO (object-oriented ontology) used as a guide. The structure in question is a dami: a type of abandoned farmhouse situated on the North Aegean island of Gökçeada, formerly known as Imbros. Like its indigenous population – the Imbrian Rums (Asia Minor Greeks from Imbros) – the story of the dami is one of slow removal over time. Visible remains are found strewn across the island, roofs gone, walls collapsed, gardens no more than traces in the soil. Yet despite being cut off from their historical function by the condition into which they have fallen, these structures still engage with both the encroaching landscape and those members of the Imbrian Rum diaspora who seek them out. Treating the dami as a ‘dormant object’ in line with Harman’s OOO – meaning an entity with a slumbering psyche – 3D photogrammetric data is used to query these sites, helping us uncover further possible lives beyond the digitised surfaces they present by looking into what lies quiet, sleeping, or simply unobserved. Psyche infers life, soul and spirit, but it also implies communication: a level of interest directed towards each dami site based on its history, but with a focus on discovering novel sets of relations in response. These relations are teased out through drawing: new elements are found, and new uses imagined.

Biography

Dr Joe Graham is currently Assistant Professor in Art and Design at CAAD, AUS. After graduating from The Slade School of Fine Art, UCL, Graham completed his PhD in Drawing Research at Loughborough University, with a study that questioned the link between consciousness and serially developed drawing in phenomenological terms. His research outputs span a number of collaborative projects and publications, with articles in a range of peer-reviewed journals. Current publications include his monograph Serial Drawing: Space, Time and the Art Object, (Bloomsbury, 2021).

Dr. Sevcan Ercan is currently a lecturer in the Architecture Department of Istanbul Medeniyet University. Sevcan initially trained as an architect, receiving her BArch from the Middle East Technical University in Ankara, before moving further into the field of architectural history, completing her MA and PhD in Architectural History and Theory at the Bartlett School of Architecture, UCL. Her doctoral research is focused on the island of Imbros/Gökçeada, examining spatial histories of displacements and emplacements. Current publications include the edited volume Architectures of Emergency in Turkey: Heritage, Displacement and Catastrophe (I.B.Tauris, 2021).