This joint paper discusses the idea of ‘waking’ abandoned historic structures by employing 3D photogrammetry as both a process of drawing and a means of visualisation, with the modern metaphysics of Graham Harman’s OOO (object-oriented ontology) used as a guide. The structure in question is a dami: a type of abandoned farmhouse situated on the North Aegean island of Gökçeada, formerly known as Imbros. Like its indigenous population – the Imbrian Rums (Asia Minor Greeks from Imbros) – the story of the dami is one of slow removal over time. Visible remains are found strewn across the island, roofs gone, walls collapsed, gardens no more than traces in the soil. Yet despite being cut off from their historical function by the condition into which they have fallen, these structures still engage with both the encroaching landscape and those members of the Imbrian Rum diaspora who seek them out. Treating the dami as a ‘dormant object’ in line with Harman’s OOO – meaning an entity with a slumbering psyche – 3D photogrammetric data is used to query these sites, helping us uncover further possible lives beyond the digitised surfaces they present by looking into what lies quiet, sleeping, or simply unobserved. Psyche infers life, soul and spirit, but it also implies communication: a level of interest directed towards each dami site based on its history, but with a focus on discovering novel sets of relations in response. These relations are teased out through drawing: new elements are found, and new uses imagined.
Dr Joe Graham is currently Assistant Professor in Art and Design at CAAD, AUS. After graduating from The Slade School of Fine Art, UCL, Graham completed his PhD in Drawing Research at Loughborough University, with a study that questioned the link between consciousness and serially developed drawing in phenomenological terms. His research outputs span a number of collaborative projects and publications, with articles in a range of peer-reviewed journals. Current publications include his monograph Serial Drawing: Space, Time and the Art Object, (Bloomsbury, 2021).
Dr. Sevcan Ercan is currently a lecturer in the Architecture Department of Istanbul Medeniyet University. Sevcan initially trained as an architect, receiving her BArch from the Middle East Technical University in Ankara, before moving further into the field of architectural history, completing her MA and PhD in Architectural History and Theory at the Bartlett School of Architecture, UCL. Her doctoral research is focused on the island of Imbros/Gökçeada, examining spatial histories of displacements and emplacements. Current publications include the edited volume Architectures of Emergency in Turkey: Heritage, Displacement and Catastrophe (I.B.Tauris, 2021).