Titles
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Technologies Evolve: Visualizing Mixed Reality Over Time in ...Temporal Place(s): Transitory Representations of the Landsca...Temporospatial Mediator: Site-specific Theater within Cultur...The Digital Agency, Protest Movements, and Social Activism d...The Dormant Buildings of Imbros: Dami, Photogrammetry and Dr...The Empty Eerie: Exploring the uncanny nature of empty space...The Future of Dwelling: The KitchenThe Future of Object, Approach, and Setting when Curating in...The Image of Territory: Landscape Perception and Infrastruct...The Image, the Imaging and the Imagining of the InteriorThe Incomplete Results of an Act of MappingThe Inter-generational Comparison of Balinese Houses: a Spac...The Intersecting Landscapes of Cinema Production and Exhibit...The Poverty of EmbodimentThe Realities of FragmentsThe Role of Screen Space in Architecture and Film as Multime...The Screen as Surface, Site and SpaceThe Screen, Intimacy, and the Attention Economy: Are We Ever...The Space of VistaVisionThe Substantive Content of Eryri - A Lived Landscape with a ...The Time HouseThe Unrepresented Chicago of 1893The Urban Photographic Portrait: Paradigms and ProjectsThe Visual as Narrative Practice: Using Images to Construct...The Visuality of Urban Digital TwinsTlatelolco Disproved; a participatory mapping of life, in Ma...Tools to Imagine: Digital Methods of Investigating Classical...Towards the Unknown. Projection, Prediction, PotentialityTracing the Familiar: Spatial Research through Essayistic Fi...Undergoing Change: the Potential of a Liminal State for Hosp...Undocumented History: Accessing the Intangible Past Through ...Uniting Space and Time in the Documentation of Urban Setting...Visionary Rumours Lost in Space – between rationale and re...Visualising Storytelling through a Locally Based Digital Way...Visualization and Parametric Design of Sustainable Domes, In...Walk’s Eye: Traversing Diverse Territories with GoPro Came...Welcome and IntroductionWhiteness, Reloaded: Addressing the ghosts in reverse* of th...Who needs film for city symphonies? Edwin Rousby. Showcasing...‘Zoom-Walks’ and Cyanotypes: Materializing Screen Ontoph...“You’ve seen one post-apocalyptic city, you’ve seen th...
Presenters
Schedule

Representing Pasts – Visioning Futures

Embedding Scholarly Citations in HBIM Models
A. Wendell
6:30 pm - 8:30 pm

Abstract

Several well defined methods exist for creating historical digital 3D spatial models. Largely absent in these methods are the means to embed scholarly annotation. To this end the outcomes of the 3D modeling process is seen as highly interpretive at best and unscholarly at worst. This submission presents an application of HBIM using custom scholarly citation attributes. This system embeds and preserves specific visual and textual resource citations on an object by object basis. Paired with an IFC viewing application these citations become model footnotes that aim to create citable, scholarly 3D models. The case study in this submission is the main waiting room in the original Pennsylvania RailRoad Station in New York City. Constructed in the early twentieth century this station was demolished in the 1960’s sparking the historic preservation movement in the city. The HBIM model has been developed based largely on historic design drawings from the architects McKim Mead and White. These resources are housed in the archives of the New York Historical Society alongside textual and photographic resources. Components in the 3D HBIM model are attributed to specific historic design drawings through the scholarly annotation. In this way a viewer of the published 3D model may query specific components for citations and footnotes. Scholars may critique interpretive decisions and build academic debate and discussion directly from these model annotations. These features are imperative to position historical 3D models as the rigorous academic endeavors they represent.

Biography

Augustus Wendell is an Assistant Professor of the Practice in the Department of Art, Art History and Visual Studies at Duke University. Augustus completed his MFA in Computer Art at The School of Visual Arts and his undergraduate studies at Northeastern University. Augustus researches the application of computational processes to design, fine art and historical research. He has a concentration in the application of image and model based workflows to aid in the study of complex geographic and spatial conditions.