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Crafting Meaning through MakingHybrid Physical Environments: The Key to Hybrid Learning in ...Hybridising Disciplines: tensions in inter-disciplinarity in...in a|the fieldin Praise of SilosIncorporating a “study-led” approach in the classroom en...Integrating and applying advanced Sustainable Architecture i...Interdependent LanguagesLearning and Teaching in the Context of Blurred BoundariesLearning By UtopiaLearning from Lasso: Team Spirit and the Intangible Impact o...Measuring textile design decisions: a comparison of intervie...Multimodality and the digital university; exploring aspects ...No Souvenirs: Tools of Remote Discovery for Design EducationOff-Grid Solar-Powered Electric Vehicle (EV) Charging Statio...Pedagogy Runs Curriculum That Runs The WorldPersonalised Learning and Development with Parents in the Lo...Place-Hacking the Design Studio: Contextualising Workplace P...Post-Anthropocentric Design Lab: Using Posthuman Thinking to...Producing Sustainable Energy and Technology through Art and ...Promoting Student-Community Engagement and Reciprocal Learni...Re-Jigging: Lessons of Design/Build Curriculum in a Virtual ...Redesigning a Project-Based Learning Course for Successful H...Reimagining Latina: an Intensive Summer School to Imagine Su...research by Drawing, design by HandRevitalizing Tradition: A Design Pedagogy's Impact on Local ...(Speculative) Futures for Higher EducationStakeholders in Active Pedagogical Approach: Developing Spec...STEM & [H]ARTS: Reassembling Arts and Humanities as a Counte...Student Experience vs Academic Achievement: Exploring the Si...Teaching with the Place and BodyThat’s KAMP!: Speculative Landscape Architectural Approach...The Body Architectural: Nesting an Embodied Inquiry Approach...The Design Build Studio-Agency Through Learning by MakingThe digital paradox in architectural design: The avoidance o...The Future of Black Art Criticism through Black Feminist Int...The Impact of Sociomaterials on Collaborative Learning Proce...The Transformative Role of Service Learning: an Empowering E...Trans - Studio: A Preamble to Reorienting Basic Design on th...Transcending Boundaries in Architectural Pedagogy: A Liminal...Trevellan Magic Space: How Life Conspires for Practice to Em...Unity of Life, Work, and Study: the Valparaíso School of Ar...Using WhatsApp to Support Preschool Teachers’ Hybrid Roles...Walking Education and Place WritingWelcome and Introduction Why Should We Provide Choice in Engineering Design Coursewor...Writing it Up and Writing it Down: Notation for Interdiscipl...
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VIRTUAL: Learning. Life. Work.

Part of the Focus on Pedagogy Series
Drawing Out: the Exploding (Art) School
B. Hall & J. Hassall

Abstract

View film

In the post-pandemic university, hybridity has become a widely touted norm. The term implies agility around methods of learning, though is often limited to the binary of in-person or on-line delivery. Despite the claim, hybridity is never truly so, compromised further by a framework of centrally enforced metrics which divide teaching into inflexible categories based around time or subject scope. A more radical form of hybridity proposed by Colin Ward and Anthony Fyson was a pedagogic dynamite which would ‘explode’ the school into the urban environment (Ward & Fyson, 1973). Their solution was environmental education, or ‘streetwork’, a learning approach that identified ‘rich reservoirs of possibility in the everyday’ (Burke, 2014). As part of a two-week project Drawing Out, we decamped BA (Hons) Illustration students from Leeds Beckett University to a stall in the middle of Leeds Kirkgate Markets. In keeping with Ward and Fyson’s approach, the residency actively invited these hybrid overlaps and their associated opportunities for learning. Drawing Out encouraged experiential encounters that would not have been possible had we been on campus: cultural conversations, a pirate radio station interview, and a visit by indigenous artists from the Amazon. Each experience offered the students (and staff) new perspectives on their learning. Drawing critically upon the project, this paper advocates for further ‘explosions’ across academia in order to foster more meaningful opportunities for learning inside and outside of the institution. This will take the form of an animated film using drawings undertaken during the residency accompanied by a scripted reflection.

Biography

Benjamin Hall is an animator and lecturer with a creative practice which spans 20 years. His research interests explore animation, digital practice and radical pedagogies, in particular the playful, democratic communities of the art-school. Ben teaches Graphic Design, Illustration and Digital Media at Leeds Beckett University, The Open College of the Arts and University of Leeds.

Jo Hassall is a Senior Lecturer in Illustration at Leeds Beckett University. Her practice-based research explores ways in which visual props can activate sites of learning. Jo has an established background in illustration and collage processes, and she extends these methods within an educational context to explore and illuminate processes of study.