At the heart of an education based on learning-by-making practices is the idea that all students are creators. As such, maker education and the maker movement rely on hands-on, discovery-based, collaborative experiences where projects focus on experimentation and problem-solving for the act of learning to occur. Ideas that originated with Dewey, Freire, Piaget, Montesorri and specially Papert’s constructionism pedagogy have manifested today as a culture of making. Unlike traditional teaching methods, maker education encourages students to learn, not just by watching, but by doing. The idea of do-it-yourself or more accurately do-it-together, emphasizes the learning process rather than just the end-product. As we are going through the reassessment of our Interior Design Program, we have been experimenting with the inclusion of learning-by-making components throughout our curriculum. We are creating a maker-centered learning environments, where students can imagine, design, and create projects that align the content of learning with hands-on experimentation. The focus on this article will be on the addition of a design-build component to our studio sequence, covering our observations since its implementation in 2017. During this intensive studio, students experience and understand the design-make-design cycle, address client parameters, learn to produce construction drawings, integrate universal design principles, respond to multiple contexts, integrate landscape, learn collaborative design skills, and physically build a permanent one-to-one project. But the real learning experience is about collaboration, about community, about complexity, and about themselves.
Camilo Cerro is an award-winning social designer, sustainable living researcher, author, cultural nomad, design tinkerer and, associate professor of architecture and interior design at the American University of Sharjah in the United Arab Emirates. He earned his Master of Architecture degree at Columbia University in the city of New York.