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Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A discourse between The Former and The Prospect
A Mother’s Place: Exploring Spatial Experiences of Early M...
A Picturesque Dwelling
A Postphenomenological Approach towards Future of Cities in ...
A Splice of Life
Affordances of Visualised Future Environments: Do We Need or...
Algarve-Memory and Identity Representations for a Sustainabl...
Alternative Futures
Alvorada's Column: Modernity and Coloniality
An Investigation into and the Making of an Audio-visual Essa...
Architecture and Cinema: Fiction Films as Archives of Affect...
Asakusa Kid: The Filmic Architecture of Kitano’s Tokyo
Becoming-Nature beyond Societies of Control
Beyond Poetic Dwelling – Heidegger’s Continuing Warnings...
Beyond Townscape: cinematic narratives for urban and rural c...
Bilingualism in Spatial Design; Restructuring the Archive fo...
Breathing New Light into 17th-19th Century Portuguese Painti...
Bringing the Body Back into Place: Assessing the Value of Li...
By Now A Human Is Only This Big
Cinema Without Architecture: on the Video Shop as Interior a...
City as Data: Urban Analytics as Contemporary Form of Rhythm...
Dancing with Absurdity
DATA Material - Materializing DATA
Desire Lines: How the way that we draw shapes the cities tha...
Digital Traces
Disruptive Conservation in the Material transmission of Past...
Drawing for Inclusion: Architectural Representation through ...
Dymo: A Future Dynamic Micro-mobility Transportation System
Edgeland's Twists: performing liminal fissures in Edgelands...
Either You Stay or Go: ´Pacifiction´ by Albert Serra as a ...
Embedding Scholarly Citations in HBIM Models
Encapsulating Memory to Forge Future Identity
Encoding Material Empathy: A Review of Physical Materials an...
Experiencing Layered Contexts Between Virtual and Physical S...
Fast Survey and 3D Photogrammetry for Visualizing Architectu...
Film as Analytical Practice; Exploring Animated Photogrammet...
Franks City - a Century of Culture and Change in Limerick
From Filling to Feeling: Re-Reading the Antillean City
From Kōgai to Urban Centre: Chinese Immigrants and the Limi...
From Painting to Installation: Spatial Influence on Painters...
Future Histories: (Re)Constructing the Infrastructures of Ri...
Gentrification, Square Dancing and the 'White House': Social...
Godzilla: the Nuclear Japanese Monster, the Monstrous Body a...
Heterotopia on Demand: The Digital Possesso Project
How Has the Emergence of NFT Technology in the Music Industr...
Huachafo Architecture between Kitsch and Aesthetic Innovatio...
Images on 1975
Incorporating Artificial Intelligence Generated Visualisatio...
Industrial Belfast: Learning from Reels
Interpretation and significance of architectural heritage: t...
Judging a Book by its Cover: Guy Debord's Society of the Spe...
Legacies of Trauma: Harvesting of Urban Space in Moving Imag...
Light Drawings and Analogical Spaces
Lilium – A post-digital cine-mural
Liminal Space: Non-Place and Spatio-Temporal Knowing
Liminalities in Kit Surrey's Set Design for "Troilus and Cre...
Lived Space, Past and Present
Lived Space: Double-fold in the Filmic Representations of Se...
Madrid’s Visual Imagery: an Attempt
Making Art Public: How Artists Perform the Museum
Making Imagination of Pasts with the Case Study “Reconstru...
Mapping Entropy: Historical Settlements Destructions Documen...
Maps of imagination: a city metaphor
Material Exploits: Exploring Genomic Data in Cosmological Ar...
Metropolis: Blurred Boundaries, Cine Moments and City Sympho...
Mobile Perspective: A Post-Prescriptive Journey in Time and ...
Outsider Art: the Architecture of the Musée Visionnaire in ...
Park Hill Sheffield: Understanding Represented Place Through...
Phygital Museum Experiences: the Situated and Invisible Dime...
Place As Stage For Temp Radio Studio
Public Places in Madiba’s Memory: Using Archival Resources...
Reconstituting Urban Forms: Using eXtend Reality (XR) and Co...
Reimagining Hong Kong: Collective Memory and Virtual Nostalg...
Rendering as Proto-Photograph: Situating Contemporary Archit...
Representing Silkroad as inclusive and shared cultural heri...
Representing Space, Place, and Liminality
Rethinking the Sites of the Ditchley Portrait Through Polyvo...
Revisiting Colombian Mid-Twentieth Century Social Clubs as S...
Screening War: Cinema, the First World War, and the Future (...
Sensing Distance as Liminal Space in Performances about Migr...
Site-integrity: a dynamic exchange between site, artist, dev...
Sites of Resurgence: Decolonizing Settler Colonial Urban Spa...
Socio-Temporal Paradoxes between Screens and Spans: Average ...
Stories Home Tell: Thinking Net Zero through speculative pro...
Street Haunting: the Flaneuristic Eye of Street Photography
Symphony for the Metaverse City
Symphony of the (Post-) Industrial City: Radical Place Chang...
Technologies Evolve: Visualizing Mixed Reality Over Time in ...
Temporal Place(s): Transitory Representations of the Landsca...
Temporospatial Mediator: Site-specific Theater within Cultur...
The Digital Agency, Protest Movements, and Social Activism d...
The Dormant Buildings of Imbros: Dami, Photogrammetry and Dr...
The Empty Eerie: Exploring the uncanny nature of empty space...
The Future of Dwelling: The Kitchen
The Future of Object, Approach, and Setting when Curating in...
The Image of Territory: Landscape Perception and Infrastruct...
The Image, the Imaging and the Imagining of the Interior
The Incomplete Results of an Act of Mapping
The Inter-generational Comparison of Balinese Houses: a Spac...
The Intersecting Landscapes of Cinema Production and Exhibit...
The Poverty of Embodiment
The Realities of Fragments
The Role of Screen Space in Architecture and Film as Multime...
The Screen as Surface, Site and Space
The Screen, Intimacy, and the Attention Economy: Are We Ever...
The Space of VistaVision
The Substantive Content of Eryri - A Lived Landscape with a ...
The Time House
The Unrepresented Chicago of 1893
The Urban Photographic Portrait: Paradigms and Projects
The Visual as Narrative Practice: Using Images to Construct...
The Visuality of Urban Digital Twins
Tlatelolco Disproved; a participatory mapping of life, in Ma...
Tools to Imagine: Digital Methods of Investigating Classical...
Towards the Unknown. Projection, Prediction, Potentiality
Tracing the Familiar: Spatial Research through Essayistic Fi...
(Un)Monuments of the Everyday. Marking the Journey from Home...
Undergoing Change: the Potential of a Liminal State for Hosp...
Undocumented History: Accessing the Intangible Past Through ...
Uniting Space and Time in the Documentation of Urban Setting...
Visionary Rumours Lost in Space – between rationale and re...
Visualising Storytelling through a Locally Based Digital Way...
Visualization and Parametric Design of Sustainable Domes, In...
Walk’s Eye: Traversing Diverse Territories with GoPro Came...
Welcome and Introduction
Whiteness, Reloaded: Addressing the ghosts in reverse* of th...
Who needs film for city symphonies? Edwin Rousby. Showcasing...
‘Zoom-Walks’ and Cyanotypes: Materializing Screen Ontoph...
“You’ve seen one post-apocalyptic city, you’ve seen th...
Presenters
A-C
D-G
H-K
L-O
P-S
T-Z
R. Achramowicz
A. Amraei et al.
A. Andic
C. Araujo de Aguiar et al.
M. Ashmore
E. Audisho
H. Aziz
S. Barreto et al.
S. Bassett
M. Bhoot
L. Bird
H. Black
M. Bomholt
E. Bora
S. Broadbent
S. Buhler
G. Cairns
C. Calveley
C. Cerro
W. Chae
Y. Chan
J. Chang
T. Clancy
F. Cocchiarella
E. Cologni
A. Costa
C. Cruz
I. De Natale
C. Deluch
D. Derr
M. Deutelbaum
M. Dreyer
D. Duhennois
A. Duman
M. El-Moussaoui
J. Elliott
S. Ercan
D. Escudero
N. Ettel
D. Evans-Pritchard
I. Fujii
V. Galanos
F. Galeazzi
L. Gannon
R. George-Harland et al.
M. Gheysen et al.
J. Graham
S. Griffiths
A. Grossman
L. Guadano
A. Guardiola-Rius
L. Gül
A. Hardman
J. Henderson
A. Hoff
S. Holden
E. Ioannidou
A. Ioannou
T. Ito
P. Jellema et al.
S. Jones
J. Jordaan
K. Kaiser
P. Kallitsis
M. Kara et al.
H. Keshani
G. Kincinaityte
K. Knecht et al.
A. Konik
C. Krois
O. Lamont Bishop
K. Lan
J. Langhorst
C. Lau
J. Leah
N. Lee
M. Lewis
S. Li
I. Llanos-Chaparro et al.
D. Loder
R. Lucas
M. Luhrs
T. Machin
K. Maeda
M. Malik
I. Mari
J. Marsh
L. Martin
E. McNamara et al.
E. McRae
A. Mehan
A. Miano
S. Mir
C. Molinari
L. Montague
B. Moralioglu
S. Nassar
A. Notaro
E. Ozkan
G. Parmenidis
Cape Peninsula University of Technology
A. Pereira Neto
V. Peu Duvallon et al.
V. Peu-Duvallon
M. Piechowiak
N. Pilarski
W. Pollard
C. Poon
N. Power
P. Quinn Davis
A. Rehman
I. Roecker
D. Rogers et al.
C. Ross
D. Rudlin
L. Sandoval
M. Saunders
A. Schiappacasse
J. Scott
A. Semenova
R. Silberman
E. Stirling
E. Suess et al.
S. Sugrue
E. Sweetnam
A. Tan
J. Tangsantikul
Y. Tay
P. Thiedeke et al.
L. Tostes
C. Tseng
N. Tümerdem
National University of Singapore
T. Voninski
J. Voordouw
H. Wen
A. Wendell
D. Wicaksono
C. Wijayaputri
Z. Winegardner
K. Winter
A. Wiseman
L. Wu et al.
C. Zhang
N. Zimnik
Schedule
Representing Pasts – Visioning Futures
Friday 2nd December, 2022.
Film, Architecture & the City ii
Virtual
View
8:30 pm - 10:30 pm
In this session
Includes
Q&A
Industrial Belfast: Learning from Reels
E. Bora
Architecture and Cinema: Fiction Films as Archives of Affects
L. Sandoval & A. Costa
Legacies of Trauma: Harvesting of Urban Space in Moving Image Media, Winnipeg, Canada
L. Bird