Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A critical Study of the Aguda (Afro-Brazilians) Architectura...A Dynamic Management System for World Heritage Sites in FluxA Methodology of Reality Capture with M-BIM for Heritage Sit...A Study on Conservation of Historic Villages as “Living He...Adaptive Reuse of Trullo Structures: From Vernacular Archite...Al-Karkh in Verse and Game: Epistemological Center-Periphery...An Investigation into Rural Architecture and Cultural Contin...Art Across Time: An Australian Case StudyArt, Digital Heritage and RestitutionsAssessing the Heritage Values of the Cyprus Government Railw...Automating Intangible Heritage: Comparative Perspectives on ...Between Ghosts and Gambles: Heritage, Decadence, and the Amb...Beyond the lighthouse: lessons learned from a pilot project ...Bhutan: In Pursuit of a Sustainable WorldCairene Car-Culture: How are Automobility and Social Behavio...Canberra – Urban Infill and the Disappearance of the Bush ...Co-planning Tangible and Intangible Cultural Heritage for Sp...Contemporary Heritage: Jørn Utzon’s Approach to Local Con...Continuity - preserving Historic Urban Landscape (HUL) and t...Cultural Positions : Heritage Administration and Political A...Cultural Resistance through Technological Adaptation: The Hy...Cupcakes and Curiosities: Backup Ukraine, Cultural Heritage ...Dayak’s Harvest Cultural Festival between Tradition and Cu...Decolonial Heritage Practices of Black Women in Chile and Co...Deconstructing Memory: Rethinking Kenter Theatre as a Multil...Designing for the Desert: Examining Contrast in Contemporary...Designing Nostalgia: Exploring Heritage as a Cultural and Em...Digital Community Co-creation as a Conduit for Addressing Sy...Digital Intimate Space: AR and VR in speculative future disp...Digital Perpetuation of Intangible Cultural Heritage: A Cros...Digitizing the Past: The Rise of 3D Scanning and Photogramme...Diriyah's Digital Echoes: How the artificial intelligence in...Early Republican Football Stadiums in Turkey Faced Conservat...Enhancing the Environmental Sustainability of Maritime Green...Game(over)tourism: World Heritage Status and Natural Sites b...Heritage Digitization: Case of Illaco House -Karachi : Pakis...Heritage of Wadi Hanifah: Navigating Socio-Cultural Complexi...Heritage Preservation and Interpretation – A Case Study o...Historicising Generative AI design models in Architecture Th...Imperial Shadows: Addressing Indigenous Exclusion in London...Industrial Heritage Reimagined: A Comparative Analysis of 20...Intersections of Digital Craft and Heritage: Computational T...Istanbul Design Museum at Suleymaniye as a Contested Heritag...Latent Connections: revealing what is in commons.Lights On! Illuminating Identity Through Shared Histories an...Locating the interface between traditional architecture and ...Milestones of (contested) memories: monuments and murals on ...Object Learning: A Journey Towards Active LearningOpen_Access: Democratising Dunedin’s HeritagePenn Center Studies: Iterative Documentation for Proactive P...Plastic Landscape: Plasticity and the Non-Human Temporalitie...Priest or Performer: Negotiating Subjectivity in Shaowu Nuo ...Public Art and the Urban EnvironmentReconstruction and Retouching of Polychromy on Stone Sculptu...Regeneration of Urban Cultural Landscapes: A Case Study of A...Reimagining Lisbon: The Convergence of Architectural, Urban,...Resurrecting Footprints: Re-interpreting Lost Heritage in Co...Revitalizing Heritage in Depopulating Regions: Challenges in...Reviving an Overlooked Art: The Historical and Cultural Sign...Rituals and Social Practices: The Symbolism of Traditional C...Sacred Land: Decolonial Ecologies and the Indigenous cultura...Shaping Commerce: The Evolution of Retail Architecture in Lo...Street and Contemporary Art in Post-Conflict Cities: Express...Surviving Heritage: Colonial Heritage and Counter-Colonial M...The Adoption of the "Garden City" Model in the City of São ...The Augmented Memory Palace: Embedding Cultural Narratives, ...The Hole - DelikThe Intention of Garden in Rooftops: Historical Continuities...The Lost Rivers of Te Whanganui-a-TaraThe Mutuality of Heritage Sites and Informal Settlements: A ...The Preservation of Cultural Heritage through Real Estate De...The role and impact of heritage practitioners within a triba...The Vokil Bench: Material Adaptation, Colonial Modernity, an...Transformation of Cultural Heritage Over Time – Current De...Unveiling the Hidden Narratives of Cities: The Role of the S...Using Heritage as a Tool. Enhancing Rural Areas through Arch...Voices: Music Heritage Reimagined through Machine singersWelcome and introduction
Schedule

VIRTUAL London Heritages Conference

Critical Questions – Contemporary Practice
Surviving Heritage: Colonial Heritage and Counter-Colonial Medicine at Kingston’s Prison for Women
H. Howes
2:00 pm - 3:30 pm

Abstract

Western humanist definitions of heritage value serve to protect diverse cultural treasures while also serving the colonial state and its ongoing investment in the carceral industrial complex. The administration of heritage and development in Canada, for example, contributes to the broader project of erasing the lives of criminalized people and advancing colonial logics. Meanwhile, cultural heritage that forms in resistance to colonial narratives thrives without the recognition of official heritage status. The commercial redevelopment of the Prison for Women (P4W) in Kingston/Katarokwi, Canada, is an example of a site where state administration of heritage exposes itself as serving carceral-capitalist demands. In stark contrast, cultural practices (also known as “Intangible Cultural Heritage”) that claim the same site as their origin are powerful sources of healing for people who survive, and continue to resist, the violence of the colonial heritage of Canada. Discussions between the City of Kingston and the developers who purchased the shuttered property about development plans for P4W have focused on the protection of “heritage values” rooted in colonial notions of property, use-value, and civility. Intangible Cultural Heritage, such as storytelling and song, events and ceremony – all activities which continue to flourish on and in relation to the site of P4W – are disregarded and denied in these discussions in an attempt to cleanse the site of any association with the generations of prisoners whose lives are entangled with the history of the prison. This paper examines both colonial definitions of heritage value as it pertains to the development of the former P4W, and counter-civilizational cultural practices that have historically emerged from this site and continue to thrive.

Biography

Hadley Howes is an artist, scholar, educator, and organizer in T’karonto, Canada. Their research focuses on abolitionist practices that transform the sense-making project of Western humanist aesthetics. Hadley’s interest in heritage and collective memory is informed by their professional experience creating public art and their work developing a methodology for an abolitionist archive to house counter-narratives to the carceral tourism of Kingston, the prison capital of Canada. They are a PhD candidate in Cultural Studies at Queen’s University, Ka’tarohkwi/Kingston.