Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A critical Study of the Aguda (Afro-Brazilians) Architectura...A Dynamic Management System for World Heritage Sites in FluxA Methodology of Reality Capture with M-BIM for Heritage Sit...A Study on Conservation of Historic Villages as “Living He...Adaptive Reuse of Trullo Structures: From Vernacular Archite...Al-Karkh in Verse and Game: Epistemological Center-Periphery...An Investigation into Rural Architecture and Cultural Contin...Art Across Time: An Australian Case StudyArt, Digital Heritage and RestitutionsAssessing the Heritage Values of the Cyprus Government Railw...Automating Intangible Heritage: Comparative Perspectives on ...Between Ghosts and Gambles: Heritage, Decadence, and the Amb...Beyond the lighthouse: lessons learned from a pilot project ...Bhutan: In Pursuit of a Sustainable WorldCairene Car-Culture: How are Automobility and Social Behavio...Canberra – Urban Infill and the Disappearance of the Bush ...Co-planning Tangible and Intangible Cultural Heritage for Sp...Contemporary Heritage: Jørn Utzon’s Approach to Local Con...Continuity - preserving Historic Urban Landscape (HUL) and t...Cultural Positions : Heritage Administration and Political A...Cultural Resistance through Technological Adaptation: The Hy...Cupcakes and Curiosities: Backup Ukraine, Cultural Heritage ...Dayak’s Harvest Cultural Festival between Tradition and Cu...Decolonial Heritage Practices of Black Women in Chile and Co...Deconstructing Memory: Rethinking Kenter Theatre as a Multil...Designing for the Desert: Examining Contrast in Contemporary...Designing Nostalgia: Exploring Heritage as a Cultural and Em...Digital Community Co-creation as a Conduit for Addressing Sy...Digital Intimate Space: AR and VR in speculative future disp...Digital Perpetuation of Intangible Cultural Heritage: A Cros...Digitizing the Past: The Rise of 3D Scanning and Photogramme...Diriyah's Digital Echoes: How the artificial intelligence in...Early Republican Football Stadiums in Turkey Faced Conservat...Enhancing the Environmental Sustainability of Maritime Green...Game(over)tourism: World Heritage Status and Natural Sites b...Heritage Digitization: Case of Illaco House -Karachi : Pakis...Heritage of Wadi Hanifah: Navigating Socio-Cultural Complexi...Heritage Preservation and Interpretation – A Case Study o...Historicising Generative AI design models in Architecture Th...Imperial Shadows: Addressing Indigenous Exclusion in London...Industrial Heritage Reimagined: A Comparative Analysis of 20...Intersections of Digital Craft and Heritage: Computational T...Istanbul Design Museum at Suleymaniye as a Contested Heritag...Latent Connections: revealing what is in commons.Lights On! Illuminating Identity Through Shared Histories an...Locating the interface between traditional architecture and ...Milestones of (contested) memories: monuments and murals on ...Object Learning: A Journey Towards Active LearningOpen_Access: Democratising Dunedin’s HeritagePenn Center Studies: Iterative Documentation for Proactive P...Plastic Landscape: Plasticity and the Non-Human Temporalitie...Priest or Performer: Negotiating Subjectivity in Shaowu Nuo ...Public Art and the Urban EnvironmentReconstruction and Retouching of Polychromy on Stone Sculptu...Regeneration of Urban Cultural Landscapes: A Case Study of A...Reimagining Lisbon: The Convergence of Architectural, Urban,...Resurrecting Footprints: Re-interpreting Lost Heritage in Co...Revitalizing Heritage in Depopulating Regions: Challenges in...Reviving an Overlooked Art: The Historical and Cultural Sign...Rituals and Social Practices: The Symbolism of Traditional C...Sacred Land: Decolonial Ecologies and the Indigenous cultura...Shaping Commerce: The Evolution of Retail Architecture in Lo...Street and Contemporary Art in Post-Conflict Cities: Express...Surviving Heritage: Colonial Heritage and Counter-Colonial M...The Adoption of the "Garden City" Model in the City of São ...The Augmented Memory Palace: Embedding Cultural Narratives, ...The Hole - DelikThe Intention of Garden in Rooftops: Historical Continuities...The Lost Rivers of Te Whanganui-a-TaraThe Mutuality of Heritage Sites and Informal Settlements: A ...The Preservation of Cultural Heritage through Real Estate De...The role and impact of heritage practitioners within a triba...The Vokil Bench: Material Adaptation, Colonial Modernity, an...Transformation of Cultural Heritage Over Time – Current De...Unveiling the Hidden Narratives of Cities: The Role of the S...Using Heritage as a Tool. Enhancing Rural Areas through Arch...Voices: Music Heritage Reimagined through Machine singersWelcome and introduction
Schedule

VIRTUAL London Heritages Conference

Critical Questions – Contemporary Practice
A Methodology of Reality Capture with M-BIM for Heritage Sites with Decontextualized Antiquities
J. Shields & B. Knakiewicz
11:00 pm - 12:30 am

Abstract

This paper describes a project that integrates technology and design within the context of cultural heritage at Hearst Castle in San Simeon, California. Hearst Castle was designed by Julia Morgan in the early 20th c. She was the first woman to graduate from the École des Beaux-Arts in Paris in Architecture, and California’s first licensed female Architect. This project is testing a methodology for M-BIM – a Building Information Model of the architecture with integrated digital models of each Museum artifact – as the basis for the use of interactive technologies on-site. The ‘digital twin’ of the building and artifacts also supports resilience in the face of climate change – providing detailed evidence of the heritage elements in the case of damage or destruction. A permanent exhibit in the Visitor Center will use this digital model to focus on the façade as a collage of antiquities from a variety of eras and geographical locations. The exhibit will enhance visitor experience by producing detailed scaled models with video and audio overlays for a multi-sensory engagement with the cultural site. The facade features Gothic European antiquities acquired by Hearst, including 15th century Spanish Wildmen. The approved exhibit design includes a full-scale Wildman and two building models – a façade model at a larger scale to highlight the decontextualized elements of the façade, and a complete building model at a smaller scale to feature in the ‘touch’ room of the museum. This room supports people with visual impairments, children, and anyone who learns by engaging tactile exhibits.

Biography

Jennifer Shields is an Associate Professor of Architecture at California Polytechnic State University in San Luis Obispo. Her Master of Architecture and BS in Architecture degrees were both earned at University of Virginia. In 2023, she was a visiting lecturer and researcher at Politecnico di Torino in Italy, in the departments of Architecture and Building Engineering. These collaborations fostered her current research focus on using digital technologies for sites of cultural heritage, for both surveying and exhibiting, with 3 current grants are on the topic of Architecture and Neuroscience.

Bryan Knakiewicz is a Lecturer in Construction Management at California Polytechnic State University in San Luis Obispo. With a PhD in Technology in Construction Management and B.S. and M.S. degrees in Civil and Construction Engineering, Dr. Knakiewicz’s focus of research is 3-D scanning, surveying technologies, BIM, and sustainability in construction materials and preservation. He has primarily published in the topic of engineering pedagogies and has served as PI and Co-PI for several U.S. federal and internal academic grants. He has over seven years of field experience with roles including engineer, inspector, project manager, construction estimator, and small business owner.