Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A critical Study of the Aguda (Afro-Brazilians) Architectura...A Dynamic Management System for World Heritage Sites in FluxA Methodology of Reality Capture with M-BIM for Heritage Sit...A Study on Conservation of Historic Villages as “Living He...Adaptive Reuse of Trullo Structures: From Vernacular Archite...Al-Karkh in Verse and Game: Epistemological Center-Periphery...An Investigation into Rural Architecture and Cultural Contin...Art Across Time: An Australian Case StudyArt, Digital Heritage and RestitutionsAssessing the Heritage Values of the Cyprus Government Railw...Automating Intangible Heritage: Comparative Perspectives on ...Between Ghosts and Gambles: Heritage, Decadence, and the Amb...Beyond the lighthouse: lessons learned from a pilot project ...Bhutan: In Pursuit of a Sustainable WorldCairene Car-Culture: How are Automobility and Social Behavio...Canberra – Urban Infill and the Disappearance of the Bush ...Co-planning Tangible and Intangible Cultural Heritage for Sp...Contemporary Heritage: Jørn Utzon’s Approach to Local Con...Continuity - preserving Historic Urban Landscape (HUL) and t...Cultural Positions : Heritage Administration and Political A...Cultural Resistance through Technological Adaptation: The Hy...Cupcakes and Curiosities: Backup Ukraine, Cultural Heritage ...Dayak’s Harvest Cultural Festival between Tradition and Cu...Decolonial Heritage Practices of Black Women in Chile and Co...Deconstructing Memory: Rethinking Kenter Theatre as a Multil...Designing for the Desert: Examining Contrast in Contemporary...Designing Nostalgia: Exploring Heritage as a Cultural and Em...Digital Community Co-creation as a Conduit for Addressing Sy...Digital Intimate Space: AR and VR in speculative future disp...Digital Perpetuation of Intangible Cultural Heritage: A Cros...Digitizing the Past: The Rise of 3D Scanning and Photogramme...Diriyah's Digital Echoes: How the artificial intelligence in...Early Republican Football Stadiums in Turkey Faced Conservat...Enhancing the Environmental Sustainability of Maritime Green...Game(over)tourism: World Heritage Status and Natural Sites b...Heritage Digitization: Case of Illaco House -Karachi : Pakis...Heritage of Wadi Hanifah: Navigating Socio-Cultural Complexi...Heritage Preservation and Interpretation – A Case Study o...Historicising Generative AI design models in Architecture Th...Imperial Shadows: Addressing Indigenous Exclusion in London...Industrial Heritage Reimagined: A Comparative Analysis of 20...Intersections of Digital Craft and Heritage: Computational T...Istanbul Design Museum at Suleymaniye as a Contested Heritag...Latent Connections: revealing what is in commons.Lights On! Illuminating Identity Through Shared Histories an...Locating the interface between traditional architecture and ...Milestones of (contested) memories: monuments and murals on ...Object Learning: A Journey Towards Active LearningOpen_Access: Democratising Dunedin’s HeritagePenn Center Studies: Iterative Documentation for Proactive P...Plastic Landscape: Plasticity and the Non-Human Temporalitie...Priest or Performer: Negotiating Subjectivity in Shaowu Nuo ...Public Art and the Urban EnvironmentReconstruction and Retouching of Polychromy on Stone Sculptu...Regeneration of Urban Cultural Landscapes: A Case Study of A...Reimagining Lisbon: The Convergence of Architectural, Urban,...Resurrecting Footprints: Re-interpreting Lost Heritage in Co...Revitalizing Heritage in Depopulating Regions: Challenges in...Reviving an Overlooked Art: The Historical and Cultural Sign...Rituals and Social Practices: The Symbolism of Traditional C...Sacred Land: Decolonial Ecologies and the Indigenous cultura...Shaping Commerce: The Evolution of Retail Architecture in Lo...Street and Contemporary Art in Post-Conflict Cities: Express...Surviving Heritage: Colonial Heritage and Counter-Colonial M...The Adoption of the "Garden City" Model in the City of São ...The Augmented Memory Palace: Embedding Cultural Narratives, ...The Hole - DelikThe Intention of Garden in Rooftops: Historical Continuities...The Lost Rivers of Te Whanganui-a-TaraThe Mutuality of Heritage Sites and Informal Settlements: A ...The Preservation of Cultural Heritage through Real Estate De...The role and impact of heritage practitioners within a triba...The Vokil Bench: Material Adaptation, Colonial Modernity, an...Transformation of Cultural Heritage Over Time – Current De...Unveiling the Hidden Narratives of Cities: The Role of the S...Using Heritage as a Tool. Enhancing Rural Areas through Arch...Voices: Music Heritage Reimagined through Machine singersWelcome and introduction
Schedule

VIRTUAL London Heritages Conference

Critical Questions – Contemporary Practice
Digital Community Co-creation as a Conduit for Addressing Systemic Erasures and Gaps in Shared Heritage
D.H. Mutibwa et al.
2:00 pm - 3:30 pm

Abstract

John Urry (1995: 55) argued that engagement with lived experiences on one’s terms can be personal (focused on one’s locality) or collective (focused on a broader shared interest or marker of belonging and identity such as class, gender, generation, and ethnicity). In contexts where lived experiences have been subjected to systemic marginalisation and subordination, John Urry noted further that seeing certain scenes or artefacts relating to those experiential realities functions to reawaken repressed desires and opens up possibilities of reminiscing about what might have been and how events or relationships could have turned out differently — including what that might reveal about the future. This abstract proposes to discuss how an ongoing, progressive, innovative, academic-policy engagement partnership between Leicestershire County Council (LCC) as a local authority and the University of Nottingham (UoN) as a higher-education provider is addressing systemic erasures and gaps in the preservation and interpretation of selected museum collections under LCC’s stewardship. Discussion will focus on how marginalised and hidden artefacts featuring queer narratives are being co-curated, researched, digitised, and made widely accessible to (1) deepen digital heritage engagement with contested and undermined social histories across the county of Leicestershire and beyond, and (2) enhance our understanding of the historical contributions made by queer communities. Discussion will further critique the ‘historical facticity’ (Katriel, 1999: 107) that informed the systemic subjugation and erasure of queer individuals and their narratives in shared heritage while inviting broader expressions of alternative and experiential readings of these within museum collections through digital community co-creation.

Biography

Daniel H. Mutibwa is Associate Professor of Creative Industries and Digital Culture in the Department of Cultural, Media and Visual Studies, University of Nottingham, UK. Daniel researches and teaches in the areas of media and communication; creative industries; digital economy; the arts and heritage; and cultural transformations in place-based communities.

Amanda Hanton is the Audience Development Manager for Leicestershire County Council’s Heritage. Libraries, Collections, Learning and Participation teams who form Culture Leicestershire. https://www.cultureleicestershire.co.uk The service is an Arts Council National Portfolio Organisation which Amanda leads on. Her expertise is supporting the facilitation of co-created cultural projects with underrepresented communities. Amanda leads on volunteering for the service and wrote the corporate framework for volunteer engagement. She is chair of the East Midlands Heritage Volunteering Group (HVG) and sits on the National HVG Advisory group.

Esther Shaw is part of Culture Leicestershire (CuL)’s participation team and works with communities to promote well-being through connecting and sharing culture and heritage. As part of CuL’s audience development strategy, Esther has worked with faith groups at Bosworth Battlefield Heritage Centre and Charnwood Museum, co-curating exhibitions and developing meaningful and lasting relationships with underserved audiences. Esther felt inspired to explore LGBTQ+ hidden histories after meeting the curator E J Scott and visiting the Museum of Transology in Brighton. Esther loves visiting museums and is fascinated by the power of objects, pictures and sounds to prompt people’s stories.

Alison Clague – As Senior Curator for Leicestershire County Council’s Museums, I make the collections we care for accessible through research, exhibitions, web content and social media. I love sharing our wonderful objects and the stories they can inspire with our communities. My team works with volunteers, community groups and higher education providers to spark inspiration and promote a sense of place. In the past year I have co-ordinated the redisplay of the Hallaton Helmet and worked on the development of our LGBTQ+ strand.