Titles
A-C
D-G
H-K
L-O
P-S
T-Z
A critical Study of the Aguda (Afro-Brazilians) Architectura...A Dynamic Management System for World Heritage Sites in FluxA Methodology of Reality Capture with M-BIM for Heritage Sit...A Study on Conservation of Historic Villages as “Living He...Adaptive Reuse of Trullo Structures: From Vernacular Archite...Al-Karkh in Verse and Game: Epistemological Center-Periphery...An Investigation into Rural Architecture and Cultural Contin...Art Across Time: An Australian Case StudyArt, Digital Heritage and RestitutionsAssessing the Heritage Values of the Cyprus Government Railw...Automating Intangible Heritage: Comparative Perspectives on ...Between Ghosts and Gambles: Heritage, Decadence, and the Amb...Beyond the lighthouse: lessons learned from a pilot project ...Bhutan: In Pursuit of a Sustainable WorldCairene Car-Culture: How are Automobility and Social Behavio...Canberra – Urban Infill and the Disappearance of the Bush ...Co-planning Tangible and Intangible Cultural Heritage for Sp...Contemporary Heritage: Jørn Utzon’s Approach to Local Con...Continuity - preserving Historic Urban Landscape (HUL) and t...Cultural Positions : Heritage Administration and Political A...Cultural Resistance through Technological Adaptation: The Hy...Cupcakes and Curiosities: Backup Ukraine, Cultural Heritage ...Dayak’s Harvest Cultural Festival between Tradition and Cu...Decolonial Heritage Practices of Black Women in Chile and Co...Deconstructing Memory: Rethinking Kenter Theatre as a Multil...Designing for the Desert: Examining Contrast in Contemporary...Designing Nostalgia: Exploring Heritage as a Cultural and Em...Digital Community Co-creation as a Conduit for Addressing Sy...Digital Intimate Space: AR and VR in speculative future disp...Digital Perpetuation of Intangible Cultural Heritage: A Cros...Digitizing the Past: The Rise of 3D Scanning and Photogramme...Diriyah's Digital Echoes: How the artificial intelligence in...Early Republican Football Stadiums in Turkey Faced Conservat...Enhancing the Environmental Sustainability of Maritime Green...Game(over)tourism: World Heritage Status and Natural Sites b...Heritage Digitization: Case of Illaco House -Karachi : Pakis...Heritage of Wadi Hanifah: Navigating Socio-Cultural Complexi...Heritage Preservation and Interpretation – A Case Study o...Historicising Generative AI design models in Architecture Th...Imperial Shadows: Addressing Indigenous Exclusion in London...Industrial Heritage Reimagined: A Comparative Analysis of 20...Intersections of Digital Craft and Heritage: Computational T...Istanbul Design Museum at Suleymaniye as a Contested Heritag...Latent Connections: revealing what is in commons.Lights On! Illuminating Identity Through Shared Histories an...Locating the interface between traditional architecture and ...Milestones of (contested) memories: monuments and murals on ...Object Learning: A Journey Towards Active LearningOpen_Access: Democratising Dunedin’s HeritagePenn Center Studies: Iterative Documentation for Proactive P...Plastic Landscape: Plasticity and the Non-Human Temporalitie...Priest or Performer: Negotiating Subjectivity in Shaowu Nuo ...Public Art and the Urban EnvironmentReconstruction and Retouching of Polychromy on Stone Sculptu...Regeneration of Urban Cultural Landscapes: A Case Study of A...Reimagining Lisbon: The Convergence of Architectural, Urban,...Resurrecting Footprints: Re-interpreting Lost Heritage in Co...Revitalizing Heritage in Depopulating Regions: Challenges in...Reviving an Overlooked Art: The Historical and Cultural Sign...Rituals and Social Practices: The Symbolism of Traditional C...Sacred Land: Decolonial Ecologies and the Indigenous cultura...Shaping Commerce: The Evolution of Retail Architecture in Lo...Street and Contemporary Art in Post-Conflict Cities: Express...Surviving Heritage: Colonial Heritage and Counter-Colonial M...The Adoption of the "Garden City" Model in the City of São ...The Augmented Memory Palace: Embedding Cultural Narratives, ...The Hole - DelikThe Intention of Garden in Rooftops: Historical Continuities...The Lost Rivers of Te Whanganui-a-TaraThe Mutuality of Heritage Sites and Informal Settlements: A ...The Preservation of Cultural Heritage through Real Estate De...The role and impact of heritage practitioners within a triba...The Vokil Bench: Material Adaptation, Colonial Modernity, an...Transformation of Cultural Heritage Over Time – Current De...Unveiling the Hidden Narratives of Cities: The Role of the S...Using Heritage as a Tool. Enhancing Rural Areas through Arch...Voices: Music Heritage Reimagined through Machine singersWelcome and introduction
Schedule

VIRTUAL London Heritages Conference

Critical Questions – Contemporary Practice
Art Across Time: An Australian Case Study
F. Fenner
11:00 pm - 12:30 am

Abstract

This paper examines how contemporary artists and architects engage with context and heritage. It specifically references a work of public art in the heart of Sydney’s CBD that has recently been reimagined in response to contemporary cultural sensitivities. Created in 1963 for the new Australian headquarters of the Orient Steam Navigation Co. Ltd (P&O), the ceramic wall mural was one of three works artworks commissioned for the building 61 years ago. The seven-metre mural included relief sculptures illustrating the global continents served by P&O. The figurative sculptures invoked cultural stereotypes that were prevalent in mid-century Australia but are culturally problematic today. In 2017 the P&O building was demolished to make way for the city’s largest new Metro station. The heritage works were salvaged for reinstallation in the new station precinct, a commitment from the developer that was endorsed by the state government. Working collaboratively with the artist’s estate, the project architects, curatorial and academic advisors, the work was reimagined for a contemporary world, resulting in a cross-generational dialogue that provides meaningful context in today’s society. This paper discusses how the different cultural contexts in which the work was originally conceived and into which it is now being launched were navigated, and the multi-faceted process of consultation and reimagining.

Biography

Felicity Fenner is a curator of contemporary international art and teaches into the Master of Curating & Cultural Leadership MA program at UNSW Sydney. She is Chair of the City of Sydney’s Public Art Advisory Panel and public art advisor on local and state government infrastructure projects. Her recent books include “Running the City: Why Public Art Matters” (NewSouth, 2017) and “Curating in a time of Ecological Crisis” (Routledge, 2022).