Titles
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3-Dimensional geospatial analysis and visualization for urba...A Contemporary Atlas of Sierra Nevada high mountain refugesA Critical Study of Inherent Conflicts of Archaeological Sit...A Cultural Heritage from the Past to the Future: Yavuz Selim...A lighting design proposal for the historical Balat districtA local community against cultural heritage activism: a case...A Postcolonial Analysis of The Lure of Mecca the Introducti...A Proposal to Revive the Brewster Wheeler Recreation Center:...A shared heritage: the grain silos between the countryside a...A Tale of Two Pyramids: Tirana, a European Capital?A Walk through Ancient Egypt: How Egypt’s Cultural Past Sh...Abandoned Mountain: a comparison between Turkish and Italian...Adaptive Reuse Of A Middle School Building Into Affordable H...An attempt at exhausting a place in Barcelona: Digital augme...An Autobiographical Ethnography: Cultural Folklore as a Form...Analysis of the Preservation of the Hobe Fort in Tamsui, Tai...Architectural ‘Αναπλασης’ (‘Anaplasis’=Rege...Archival Violence and the Official Erasure of Indigenous Her...Beyond the bustle of bazaars of BharatBorder EcologiesBridging Pragmatics and Poetics in the Water Culture of Indi...Building Rehabilitation Through the Life Polygon StrategyBuilding the City, Building Strongmen: Leveraging Iconic Ur...Canaanite Architecture in Beer Sheba - Ram Karmi's Israeli B...Challenges in Participatory Design of a New Management Plan ...Characterization and Diagnosis of Social Housing in Viana do...City Maps as a Tool for Heritage Making in the Past and in t...Collaborative Planning Tools for Urban Commons for Tackling ...Combatting Nihilistic Perspectives in Contemporary Virtual M...Commons-enabling digital platform technologies in practice: ...Connecting Past, Present and Future: The Role of Networks an...Conservation as Version ControlCorrelations of Climate and Material Compositions - embrace ...Creative Lands: Culture-Led Regeneration Practices in Non-Ur...Cultivating a Community’s LegacyCultural Heritage Transformation Over TimeCultural Institutions and Urban Dynamics: Between the Venic...Cultural Landscapes of Arsuz: Post-Disaster TransformationCultural Planning and Collaborative ProcessesCultural Roots for Urban Futures: Exploring Revitalization S...Decolonizing Space and Memory: The Tianjin Concessions' Stor...Demographic Change in Turkey by Years and Cities: A Socio-Ge...Designing Collective Housing for a Regenerative Future: Less...Designing for Change; the Role of Cities' Urban Studios and ...Designing Temporal and Spatial Connections for Landscape Enh...Dialectics of Cultural Heritage Conservation and Heterogeneo...Digital Interventions: Reclaiming America’s Island of The ...Digital Technology for Nautical HeritageEarth-Based Sgraffito Technique: Histories, Supply Chains, a...Education of Collective perceptions: from Industrial site to...Embracing the Museum Criterion: Caterina Marcenaro and Franc...Emplacing South African KhoiSan culture architecturally in C...Encoded Narratives: Analog Subjugated Pasts and Digitally Li...Enhancing Sustainability by Repurposing Old Buildings – A ...Exploring Place and Memory Across Generations: A Transgenera...Exploring the scope of wayfinding system design in urban env...Exposure and Vulnerability as Methods of Artistic ResearchFair, Open And Increasingly Digital Cultural Heritage Of Cit...Fashion North: Creating a Sustainable Fashion Ecosystem in N...Floating Nautical Heritage for Territorial EnhancementFood on the Street: Sensing the Past, Sustaining the CityFrom Space to People: Cultural Potential Reinventing in Rybi...From Tradition to Transformation: Cultivating Urban Resilien...Future Projections of the City in House Perspective: The Exa...Gateshead Riverside Park: Public Art as Urban Heritage and C...Genocide of an Urban Enclave: The Addition of Metrorail to S...Governing Access to Sun and Shade: Urban Microclimates as Co...Group Gamma and Banco Obrero: Parallel experiences developin...Heritage Conservation and its Other: Material Politics and ...Historic Preservation For Reviving The Cultural And Architec...History, Identity and Politics: The Role of Museums in Punja...How Can We Be Convivial Weather Commoners? Thoughts on the R...Hybrid Environmental Projection Platform (HEPP). An extended...Identity at Stake? The Growing Impact of Tourism in Lisbon...Imaginations of VeniceIndigo Dyeing in India: Nurturing Material, Cultural, and He...Inhabiting Ruins in the Historical Center of El Raval: An Ur...Interfacing Heritage and Technology: The 'Desire for Freedom...Is Agenda 2030 Encouraging a Benign Anthroposystem in Cities...J B Mathey: A French Architect of Italian Designs in BohemiaJustiniana Prima . Stranded Naves.Keeping Waste in Cities: Decarbonizing Waste Treatment Plant...Kinetic Canvas: A Pedagogical Journey into Digital Interpret...La Chimba as an Urban Heterotopia: architecture and literatu...Labor in the Age of AIlack Culture, Migration, and North American MetropolitanismMaking a Weather Commons Framework with C.A.R.E: Findings fr...Making Heritage Matter: At the Boundaries Between Ecosystem-...Mapping pre-consumer textile fashion networks for circular c...Material Culture and Heritage Identity: Relationship between...Material Culture in the American City: Elite White Women in ...Materialising Cultural Heritage Through Arts and Crafts: A L...Mega events and the effects of cultural heritage: a case stu...Modernism in the face of traditional housing: Analysis of th...Monumentality : A Discussion On Alois Riegl's Theoretical Pr...Nature-Based Universities for Biodiverse, Liveable, Equitabl...Negotiating to Maintain a Social HeritageNeon Nevada: The Role of the Neon Sign in the Development of...On-the-Ground Community Responses to Transitioning Waste Eco...Phenomenological Heritage and the Way-ability of CitiesPourable Clay: Potentials for Sustainable and Climate-Approp...Precast Concrete in the Industrialization of Construction: A...Preservation is Survivance: Ten Tactics toward Sovereign Ind...Protection or management of authenticity of heritage (not on...Public Interiority: Latent Futures of Roman Speculative Hist...Quakertown Stories: Interdisciplinary Place-Based Research &...Re-Orient: Reclaiming Spaces through Photographic Self-portr...Rediscovering Military Heritage in a Pacifist Nation: Yokosu...References of the Vernacular Elements in Furniture Design In...Regenerating habitats. A new housing based on modular wooden...Reimagining Woodlands, a model village. A case study of part...Reintegration of Missing Parts on Stone Sculpture: Comparing...Reproducing Authenticity: A Case Study of Contemporary Urban...Research on Distribution Characteristics of Existing Condomi...Rethinking Nostalgia in Sustainable ArchitectureReviving the Past, Enhancing the Future: Preservation of Urb...San Blas Sostenible: Design strategies and co-creational exp...Scales of Environmental Care in Making Urban Spaces: An Ethn...Shaping Interiority through Empathy: “Designing Hope”, t...Shaping Spaces and Identities: A Study of a Historical Urban...She is also an artist focusing on social issues through narr...Shop Houses, sustainable vessel that adapts to environment, ...Site of Engagement: A Community Based Design Approach for Ca...Slavery to Gentrification In the Deep SouthSociopolitical analysis of banditry and cattle rustlers in z...Spontaneous Seoul. Coexistence of Modernity, Tradition, and ...State Visions in Mid-Twentieth Century: The Interplay of Hea...Sustainability and wood as a waste material in the construct...The 1930s Railroad Bridges in Zagreb: Learning From the PastThe Application of Visual Symbols in VR Virtual Museum Narra...The Asian Display-ness: The Regional Cultural Politics of Co...The Body Situated in SpaceThe Case of Venice & Brooklyn Illinois. The Recovery of Two ...The Centre for Cognitive Art in Bregaglia Valley, Switzerlan...The challenges of the development of the old town of Cēsis ...The Cultural Relevance of Qanats in The Lut Region and Trans...The Historic District of Liberia, Costa Rica: A Community-ba...The impact of tourism on the formation of local identity in ...The Indigenous Urban Landscape: a tool for heritage manageme...The Methodological Implications of Using Upcycled Textile Wa...The Nordic Past in the City Scape of CopenhagenThe Postulations on Urban Environmental Commons in ‘Brand...The roofing narratives: Interrogation of the meaning of clay...The Significance of Circular Economy in the Restoration of B...The Universidade Presbiteriana Mackenzie Campus as a Heritag...Touristification and gentrification in Portugal: The short-t...Tracking Visual Cues: Are Design Student’s Eyes Born to Pe...Transformation of Island Iconography under the Influence of ...Transient Horizons: Transboder Association of Architectural ...Transit Art and Infrastructural Citizenship in Boston’s ...Turning Green: The Challenges of Former Communist CitiesTwo Cities in the Making: Segregation in Walled Nicosia, 196...Undercurrents: Cross-border Mapping and Urban Histories in t...Understanding Site Specific Art: Historical And Social Conte...Unearthing Taino Heritage: Examining Erasure and Recognition...Urban Art Installations: Enhancing City Placemaking Through ...Urban Ecology Reimagined: Mapping the Urban Cemetery as the ...Urban Heritage in Conflict Zones: The Case of Al-Alami House...Urban livability in Shanghai's post-demolition era: An analy...Urban Manufacturing as a Vehicle for Social and Environmenta...Urban Planning And Heritage. Intervention Criteria On The Ur...Visual Manifestations of Cultural Transformations analysed t...Walking With OthersWelcome and introduction What is the (Creative) City but The People? – Redefining t...Who Owns the Stones of Callanish? – a Phenomenological Inv...Wholesale Building Moving in Northern Sweden: Sustainable Se...Working Towards A “People’s Metaverse” Using New Techn...Yachts as an Expression of Identity and Cultural Heritage of...
Presenters
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R. LightR. AbudayyehV.S. AkefF. Al-Osaimy et al.R. AlbaH. AliC. AngelilloJ. AragüezE. Ataç KavurmaciD. Avci-HosanliI. AzulAlison B. SnyderE. BaceA. BallatoreI. BalunenkaM. BarosS. Barreto et al.G. BattistonL. BehjatL. Ben-AlonD. Benham et al.C. Berthelsen(1)C. Berthelsen(2) et al.P. Besen et al.F. BlanchI. BolozM. BožićL. BrownI. BrydenI. BulaG. BuslS. BürkleG. CairnsB. CameronM. CampolongoT. CarlessM. Carrilho et al.J. CashinR. CastilloB. ChaljubC.Y. Chang(1)C.Y. Chang(2)D. Chang-AlbizurezE. ChristensenM. ChristodoulouM. Christoulakis et al.S. CodarinL. ColsitraA. Coronado SánchezA.R. CruzA. CuellarA. Daminet et al.M. DarrochL. DaubeK. DaubmannM. De WaalF. Dean(1)F. Dean(2)C. DeluchiW. DengR. ElasfouryI. ElhadifC. EnssP. EshikaB. EvansR. FarleyR. Ferreira et al.T. Ferrero-RegisA. FlamandG. FodorS. Fredholm(1)S. Fredholm(2) et al.E. GaddisB. GalliE. GallouO. GencJ. Gil-MastalerczykA. Gill(1)A. Gill(2)E. GociR. Gonzalez-TorresL. GorinaS. GoswamiA. Grewal(1)J. Grewal(2)A. GrossE. GrönlundS. GuptaS. Harris-BrandtsT. HatoriR. HeimelA. HiottR. Hudson-Miles(1)S. Hudson-Miles(2)M. Hughes et al.S. HussainiN. JakšićM. JohanssonP. JohnsonM. Justi-PisaniS. KarN. KawaharaJ. Kemp(1)L. Kemp(2)Y. KhewE. KisH. KolkP. KozubC. KrayR. Kutlu et al.B. KutukcuogluB. Küçük KarakasR. LambE. LangenthalC. Larouco-GomesS. LauferI. LeeE. Lettieva et al.T. LeungM. Liapi et al.J. LibersatF. LinM. LinquistY. LiuC. Lucho et al.R. Malavassi-AguilarD. MargalithT. Martínez BaldaresM. MastalerczykC. Meireis et al.A. Mellick LopesR. MilanoF. Mir et al.B. MitchellM. Mojsilovic et al.A. Morales MartínM. Morozzo della Rocca et al.M. MulderA. MurphyM. MünsterE. NasirZ. NgK. Ntassiou et al.H. O'NeillE. OlcayG. OliveiraW. OuyangG. OzorhonA. PaioD. Pedrabissi et al.C. Pena-GomezC. PisanoI. PodnarV. PollockM. PopescuH. PoptaniM. QuadriJ. Raffetseder et al.O. RagethL. RodneyF. Rubio SorianoK. RönkköT. Sabo ColledgeZ. SadiklarC. SaftR. SakamotoJ. Salcedo-FernandezM. Sanchez PrietoT. SanliT. SarkarV. SentebovaA. Sherif at al.L. ShermanZ. ShiA. SteenkampE. StefaE. Stirling et al.S. SulaimanC. TacchellaT. TalkL. TestonP. ThompsonS. TillischA. TognonS. TomorL. TuckerN. VakilM. Vaquero PiñeiroS. VarinpramoteM. VenancioL. WidderJ. WongD. Yaratgan et al.E. YağçıM. Yioutani-IacovidesS. Yousef et al.X. YuanN. YurdaçalışG. ZappiaH. Zhang(1)H. Zhang(2)C. Zhang(3)Q. ZhuangK. Zimna-KaweckaM. Zingoni-Phielipp(1)M. Zingoni-Phielipp(2)S. Özen TanyildiziV. Şafak Uysal
Schedule

VIRTUAL Barcelona

Urban Futures-Cultural Pasts
San Blas Sostenible: Design strategies and co-creational experiences between designers and community actors in ancestral neighbourhoods.
C. Lucho et al.
11:00 pm - 12:30 am

Abstract

This paper showcases the experiences and strategies conducted by a team of design professors in the context of a design class focused on a co-creational approach with different actors involved in a neighbourhood part of a UNESCO World Heritage site. During two academic periods, the design students and teaching staff interacted and worked alongside locals, private entities and governmental and civil authorities in the neighbourhood of San Blas, in the city of Cusco, Peru, to improve specific areas of it: from mobility across its steep streets, public waste management, to the value of the identity of the history, patrimony and cultural landmarks across San Blas. Different design approaches were utilised to achieve the said goal while a concept addressed as “San Blas Sostenible” was being ideated. Furthermore, said approaches and the concept were developed through co-creation activities integrated with methodologies and principles based on product, service and systemic design. Across the project development, critical aspects were taken into account, such as the legal considerations regarding a UNESCO World Heritage site, the relations between iconic neighbourhood families and locals, the overall tourism impact and the opportunities and challenges of a local/global design perspective. The resultant proposals and prototypes addressing the specific areas integrate the critical aspects of products, services and systems which can be implemented due to their coherent viability, feasibility, desirability and sustainability with the context.

Biography

César Lucho Lingan is the director and professor of the Industrial Design program in the Faculty of Arts and Design at the Pontificia Universidad Catolica del Peru (PUCP). He has a Bachelor’s Degree in Industrial Design from PUCP and a Master’s in Design for Interaction from Delft University of Technology (TU DELFT) in the Netherlands.

Hector Revilla teaches in the Industrial Design program at the Pontificia Universidad Catolica del Peru (PUCP). He has a Bachelor’s degree in Industrial Design from PUCP, a Master’s in Design Management from the Universidad de Palermo in Argentina, and a Master’s in Project Management from IL3, Universidad de Barcelona in Spain.

Claudia Cardenal teaches in the Industrial Design program at PUCP. She has a Bachelor’s degree in Industrial Design from PUCP and a Master’s in Product Design from Domus Academy in Italy.

Fernando Perez teaches in the Industrial Design program in the Faculty of Arts and Design at PUCP He has a Bachelor’s degree in Industrial Design and a Master’s in Social Management from PUCP.

Licia Torres teaches in the Industrial Design program and the Design Management of Social Projects graduate diploma at PUCP. She has a Bachelor’s degree in Communications and a Master’s in Visual Anthropology from PUCP. Postgraduate studies in Theory of Communication Design from the Faculty of Architecture, Design and Urbanism at UBA.

Jorge Li teaches in the Industrial Design program at PUCP. He has a Bachelor´s degree in Industrial Design and a Master´s in Integration and Educational Innovation in Information and Communication Technologies from PUCP.

Marco Benites teaches in the Industrial Design program at PUCP. He has a Bachelor’s degree in Industrial Design and a Master’s in Advanced Studies with a specialisation in Industrial Design Engineering from the Polytechnic University of Catalonia and the University of Barcelona in Spain.

Marlene Bustamante teaches in the Industrial Design program at PUCP. She has a Bachelor’s Degree in Industrial Design from PUCP and a Master’s in Business Administration and Business Management from the University of Lima in Peru.

Martha Perez teaches in the Industrial Design program at PUCP. She has a Bachelor’s degree in Industrial Design from PUCP and a Master’s in Design Management from the Universidad de Palermo in Argentina.