Viewed through a historical lens, the significance of architectures of death (and their relationship to the urban environment) can be seen to have changed greatly over time. Initially much more incorporated into everyday life, cemeteries were gradually pushed to the outskirts of cities due to factors such as the increase in the number of deaths and fear of disease – only to result in a complete erasure of death from our immediate surroundings. Often overlooked or disguised as parks, however, many of the same burial grounds sit within urban landscapes today and provoke questions about their relevance. The authors discuss a selection of burial sites and cemeteries in New York City and Istanbul, ranging from popular tourist destinations to quieter, neglected ones. Perhaps due to a sense of discomfort embedded within the ordinary, they argue that these sites provide a necessary unexpected opportunity for intimacy, contemplation, and transformation – facilitating a transition from the mundane to the sacred. Throughout the paper, the journey into, through and out of a number of cemeteries is mapped in order to offer a multi-layered exposé of the most fundamental spatial elements and experiential aspects of this “rite of passage.” In the end, these seemingly vacant non-spaces emerge as a liminal space, as well as the site of an urban interiority, revealing the complex relationship between awareness and physicality. The overarching goal is to reintroduce the notion of the sacred into discussions on heritage, culture, and sustainability – to be able to propose an alternative perspective on “urban ecology.”
V. Şafak Uysal finished METU’s City and Regional Planning Department (bachelor) and Bilkent University’s Department of Interior Architecture and Environmental Design (master’s and doctorate). He teaches basic design and architectural/interior design studios as well as various courses on visuality, temporality, interiority, spatial narratives, and the history of ideas. His interests cover a wide spectrum, including critical theory, architectural phenomenology, design education, body-space relationship, and architecture’s role in the construction of historical knowledge and experience.
Alison B. Snyder is an architect and professor at Pratt Institute, Brooklyn, NY (MARCH, Columbia University, USA). Her interests are informed by layering architecture, art, interiors, and context. Drawing upon architectural theory, and archaeological and anthropological methods to reveal why places, buildings, interiors, and people transform over time, she conducts urban and rural fieldwork in Turkey and New York City to reinterpret monumental and mundane settings. Snyder has directed the Interior Architecture Program, University of Oregon, and chaired Pratt’s Department of Interior Design.