Fire is a process of combustion, ignited by the reaction of heat, oxygen, and fuel. In ancient times, fire was seen as the primeval event, one of the origin myths of how Architecture was formed. It is associated with energy and the thermal adaptation required for human life. If not properly tended, its benign character can become a danger. To avoid this scenario, fire regulations have relinquished the use of fire in society. Buildings are constructed to resist the effects of combustion. Paired with technological advances, fire energy has been transformed into a distant element which is hidden under basements or replaced with other forms of energy. Heat, energy, and light is available at any time, eliminating the biological need for a centralized source of life. As a result, the fire is gone from Architecture, having lost its symbol in society as the life-giving entity of the home and city. So, the question arises, is fire a necessary element? A parable presented by Reyner Banham is used to illustrate this idea. The tale talks of a primitive tribe that has come upon a clearing in the woods where they plan to stay the night. The tribe faces a dilemma- should the fallen timber be used to build a shelter or as firewood? Both methods reveal two architectural manifestations- one tangible and one intangible. In this parable, there is no clear answer. The thermal space of the bonfire is no less architectural than the physical space of the hut. This studio acts out this fable to arrive at new forms of spatial habitation expressed by the radiation of heat, light, and energy brought on by controlling combustion. Within this narrative, the result is the design, construction, and overnight occupation of a small space enclosing a fireplace. This thermal aediculae performs at two levels: the level of necessity, utilizing energy resources to provide basic warmth and the level of delight, increasing our awareness and enjoyment of the natural forces of earth, fire, and air.
Christopher Romano is an architect and educator appointed as an Assistant Professor in the Department of Architecture at the University at Buffalo. Academic affiliations include the Material Culture Graduate Research Group and faculty co-lead within the Sustainable Manufacturing & Advanced Robotic Technology (SMART) community of excellence. His research is focused on the theoretical and pragmatic bridges that integrate material and structural ingenuity with architectural experience. He is founder and director at Studio North Architecture, an award-winning practice located in Buffalo, NY.