Titles
A-C
D-G
H-K
L-O
P-S
T-Z
15-Minute Cities: Rethinking Mobility and Equity in Urban Pl...A Historical and Socio-Cultural Overview of Floating Structu...A Walk-Through Kolkata's Cemeteries and GhostsAn Interpretation of Cooperatives as a Way of Organizing Urb...Andalusian Influences: Water and the Revival of Narrow Stree...Applying Life Culture Meme System in Constructing Cultural L...Austerity, Neighborhood Mobilisation and ‘Commonplace Dive...Baukultur as Solution to Overtourism: Sustainable Urban Desi...Blurred Lines: The Transformation and Domination of Istanbul...Borders and Inclusion: Latin American Migrant Women Negotiat...Building Livable Cities through Intergenerational and Child-...Constructing Idealised Place Images through Official Discour...Creating Emotions to encounter Cultural Heritage supported b...Enhancing Urban User Experience: A Human-Centered Design Met...Enriching Well-being and Intercultural Engagement Through In...Evaluating the Long-Term Conservation Practices of Award-Win...Exploring Mining Heritage through the Tourist Area Life Cycl...Facilitating Stakeholder Learning and Knowledge Exchange for...Forms of Culture: Arts and Cultural Institutions, Typologies...From Amenity to Necessity: Benchmarking Public Open Space Pr...Gendered Borders and Bordered Genders: Henri Lefebvre's 'Rig...Geotrauma and War Memorialisation in Lebanese ComicsGhost Rivers: Visualizing a Buried Urban Stream and Lost Eco...Heritage Stories: A Mapping Practice Case Study with the Lou...Heritage Trap and Controversies in the Transformation of Co...Housing Instability and Chronic Disease Self-Management in a...How Reliable are Open Data Sources in Measuring the 15 Minut...Hybrid Ephemeral Inhabitation in Abu DhabiIdentified Problems and Expected Support by Cultural and Cre...In Search of the Desert Truffle, a Multidisciplinary Researc...Is Cairo a Runnable City? Spatiotemporal Analysis of the Com...Is The Greek City A 15-Minute City?Learning from Minimal Art and Minimalist ArchitectureMigrants as Activists in Maintaining the Cultural Landscape:...More Than Meets the AIMoving Cranes. Shipyards as Vectors of Uncertain Urban Devel...Music and Cultural Actions in Public Space as a Means of Urb...Nothing is Absent Whose Presence is to be Desired’: Syria...Participatory Approach to Conflict Resolution in the Context...Participatory Design and Development of Community Based Upcy...Participatory Design Workshop; The Case of Riyadh Municipali...Private Developments, Public Edges: Intermediary Spaces and ...Revitalizing Vietnamese Weaving Traditions through Computati...Safeguarding Intangible Cultural Heritage in Portugal (2008â...Singapore Pte Ltd: The Nation’s National GallerySocial Activism and Street Art: A Response to Transnational ...Space-Time-Use Transformations on Urban Disruptions: Communi...Territorial Dynamics in Contemporary Public Spaces - Praça ...The Ambivalent Livability of An Urban Fascist TraceThe Chandigarh Challenge: Balancing Cultural Heritage and F...The Diminishing Foodscape: Street Vending Amid the Drifting ...The effectiveness of using the Local Development Plan tool i...The Missing BuildingThe Paradoxes and Possibilities of Public SpaceThis Building Saves Lives: The Architecture of Harm Reductio...Trauma-Informed Planning for Immigrant Integration: Preceden...TRES: Building Communal Identity via Migratory Memory in Exp...Tulum's Economic and Urban Transformation: From Traditional ...Uncovering the Hidden Economic Benefits of Investment in the...Urban Cultural Infrastructure and the Foundations of Liveabi...Urban Planning in Search of New Approaches: Proposal for a C...Utilizing AI and Intelligent Infrastructure for Sustainable ...Wandering in Search of God: The City as a Space of Exile and...Yellow Bulldozers and Red Paint : The Impact of a Regenerati...
Schedule

IN-PERSON Lisbon Livable Cities. Section B

Cities, Culture, People & Place
Singapore Pte Ltd: The Nation’s National Gallery
C. Lau
11:00 am - 12:30 pm

Abstract

Ideas of livable are explored through notions of reclamation and limits that pertain to Singapore’s physical size, resources, short history and especially the city’s ability to reinvent. The Singapore story from colonial administration to sixty years of independence is recounted through the National Gallery, located within the central district and bordering an ambitious land reclamation scheme that encompass the city’s financial heart, cultural sites and newest entertainment quarters. This repurposing of the former Supreme Court and City Hall into a public Gallery reveal government attitudes concerning cultural manifestoes, land use and economic policies that also correspond to the transition from hard to soft power. Here, architecture and ideology are allowed to simultaneously perform as microcosms of the city that explore questions of identity, conservation, heritage and adaptability through overlooked interventions that celebrate nuanced, layered and fragmented qualities. These are further reimagined through Colin Rowe’s arguments in Collage City, and Manfredo Tafuri and Walter Benjamin’s discourse regarding montage and the juxtaposition of material finds and intellectual dialogues that enable user specific creative readings. Multidisciplinary ideas of bricolage and polyvocality are deployed as catalysts to facilitate additional user-led, transitionary methods of habitation and use to address new attitudes toward living that respond to an evolving demographic, a maturing civil society and uncertain geopolitical challenges. The Gallery is absorbed by the city through the dissolution of physical and conceptual boundaries and Singapore’s ability to circumvent existing limits are manifested tangibly and intangibly, enabling new meanings of livable to be reclaimed, and defined by the people.

Biography

Dr Constance Lau is an architect, leads and teaches architecture from undergraduate to doctorate levels in London and Singapore. Research interests in multiple interpretations and narratives are explored through the techniques of montage and notions of dialectical allegory. These are applied through studio work, PhDs, REF standard publishing, peer reviews, and international conferences and workshops. Design practice as an ongoing dialogue challenges assumptions and emphasises authorship as further articulated through publications and especially projects in the book Dialogical Designs (2016).