Titles
A-C
D-G
H-K
L-O
P-S
T-Z
15-Minute Cities: Rethinking Mobility and Equity in Urban Pl...A Historical and Socio-Cultural Overview of Floating Structu...A Walk-Through Kolkata's Cemeteries and GhostsAn Interpretation of Cooperatives as a Way of Organizing Urb...Andalusian Influences: Water and the Revival of Narrow Stree...Applying Life Culture Meme System in Constructing Cultural L...Austerity, Neighborhood Mobilisation and ‘Commonplace Dive...Baukultur as Solution to Overtourism: Sustainable Urban Desi...Blurred Lines: The Transformation and Domination of Istanbul...Borders and Inclusion: Latin American Migrant Women Negotiat...Building Livable Cities through Intergenerational and Child-...Constructing Idealised Place Images through Official Discour...Creating Emotions to encounter Cultural Heritage supported b...Enhancing Urban User Experience: A Human-Centered Design Met...Enriching Well-being and Intercultural Engagement Through In...Evaluating the Long-Term Conservation Practices of Award-Win...Exploring Mining Heritage through the Tourist Area Life Cycl...Facilitating Stakeholder Learning and Knowledge Exchange for...Forms of Culture: Arts and Cultural Institutions, Typologies...From Amenity to Necessity: Benchmarking Public Open Space Pr...Gendered Borders and Bordered Genders: Henri Lefebvre's 'Rig...Geotrauma and War Memorialisation in Lebanese ComicsGhost Rivers: Visualizing a Buried Urban Stream and Lost Eco...Heritage Stories: A Mapping Practice Case Study with the Lou...Heritage Trap and Controversies in the Transformation of Co...Housing Instability and Chronic Disease Self-Management in a...How Reliable are Open Data Sources in Measuring the 15 Minut...Hybrid Ephemeral Inhabitation in Abu DhabiIdentified Problems and Expected Support by Cultural and Cre...In Search of the Desert Truffle, a Multidisciplinary Researc...Is Cairo a Runnable City? Spatiotemporal Analysis of the Com...Is The Greek City A 15-Minute City?Learning from Minimal Art and Minimalist ArchitectureMigrants as Activists in Maintaining the Cultural Landscape:...More Than Meets the AIMoving Cranes. Shipyards as Vectors of Uncertain Urban Devel...Music and Cultural Actions in Public Space as a Means of Urb...Nothing is Absent Whose Presence is to be Desired’: Syria...Participatory Approach to Conflict Resolution in the Context...Participatory Design and Development of Community Based Upcy...Participatory Design Workshop; The Case of Riyadh Municipali...Private Developments, Public Edges: Intermediary Spaces and ...Revitalizing Vietnamese Weaving Traditions through Computati...Safeguarding Intangible Cultural Heritage in Portugal (2008â...Singapore Pte Ltd: The Nation’s National GallerySocial Activism and Street Art: A Response to Transnational ...Space-Time-Use Transformations on Urban Disruptions: Communi...Territorial Dynamics in Contemporary Public Spaces - Praça ...The Ambivalent Livability of An Urban Fascist TraceThe Chandigarh Challenge: Balancing Cultural Heritage and F...The Diminishing Foodscape: Street Vending Amid the Drifting ...The effectiveness of using the Local Development Plan tool i...The Missing BuildingThe Paradoxes and Possibilities of Public SpaceThis Building Saves Lives: The Architecture of Harm Reductio...Trauma-Informed Planning for Immigrant Integration: Preceden...TRES: Building Communal Identity via Migratory Memory in Exp...Tulum's Economic and Urban Transformation: From Traditional ...Uncovering the Hidden Economic Benefits of Investment in the...Urban Cultural Infrastructure and the Foundations of Liveabi...Urban Planning in Search of New Approaches: Proposal for a C...Utilizing AI and Intelligent Infrastructure for Sustainable ...Wandering in Search of God: The City as a Space of Exile and...Yellow Bulldozers and Red Paint : The Impact of a Regenerati...
Schedule

IN-PERSON Lisbon Livable Cities. Section B

Cities, Culture, People & Place
Heritage Stories: A Mapping Practice Case Study with the Loughborough Library Local Studies Volunteer Group
C.A. Goldschmidt Kiminami et al.
3:30 pm - 5:00 pm

Abstract

Collaborations between academics and non-academic partners have been celebrated as a promising approach for achieving knowledge co-production. This has been particularly the case in counter-mapping and social cartography literature, which have been calling for more genuine involvement from non-academic actors in generating knowledge and maps. In response to these recent calls, this paper reflects on a unique methodological framework developed for co-producing digital heritage maps with local communities and groups. Here, we present a mapping process that intersects academic research with a non-academic group initiative. This project is part of the development of a town observatory for Loughborough in the United Kingdom. Loughborough Stories is a collection of “StoryMaps” illustrating various themed narratives linked to the town’s history. This paper aims to present the process and progress of The Medieval Loughborough StoryMap, one mapping initiative that originated from collaborations between academics at Loughborough University and the Loughborough Library Local Studies Volunteer Group (LLLSVG). The collaborative mapping efforts incorporated narratives, historical facts and local lived experiences. This collaborative process with the LLLSVG has also become essential to reflect on how this co-production process can serve as inspiration or even be replicated in other communities, localities and researchers. Therefore, this paper aims to demonstrate how The Medieval Loughborough StoryMap employed a distinctive methodological framework and generate a protocol that can encapsulate the necessary steps to producing new story maps through collaborative practice. This protocol can benefit other community groups seeking greater autonomy in sharing their stories.

Biography

Cristina A. G. Kiminami is a Research Associate in Data Visualisation for Urban Studies at Loughborough University. She holds a PhD from King’s College London in the Department of Digital Humanities. Her PhD research focused on spatial humanities, digital mediation relations, and people’s perception of urban surroundings. Her Master’s and Bachelor’s degrees in Architecture and Urbanism from the University of São Paulo, Brazil, IAU USP.

Aline Fernandes Barata works as a Research Associate in Urban and Regional Studies at Loughborough University. She has a PhD in Planning from Oxford Brookes University, master’s in Urbanism from the Federal University of Rio de Janeiro and bachelor’s in Architecture and Urbanism from the Federal University of Juiz de Fora. Aline’s research and teaching interests include participatory and community-led practices in architecture and urbanism, Southern Urbanism, mobility justice, and critical approaches to mapping and heritage. Previously, she worked as an Associate Lecturer and Research Associate at Oxford Brookes University, and as a Planning Assistant and Architect in Brazil.

Robert Harland is a Reader in Urban Graphic Heritage at Loughborough University. His research examines urban heritage through the lens of graphic design in collaboration with partners such as the Nelson Mandela Foundation, UNESCO-UK, and UNESCO Creative Cities, collaborating across the UK, Brazil, China, South Africa, and Australia. He co-leads The Impact Hub and co-founded the TOWN Observatory in 2025. Recently, he was invited to join Loughborough’s Storytelling Academy, following his work on the Named after Nelson project, which explored graphic heritage and placemaking. In 2024, his work was recognised with a Vice-Chancellor’s Award for International Partnerships.