Titles
A-C
D-G
H-K
L-O
P-S
T-Z
15-Minute Cities: Rethinking Mobility and Equity in Urban Pl...A Historical and Socio-Cultural Overview of Floating Structu...A Walk-Through Kolkata's Cemeteries and GhostsAn Interpretation of Cooperatives as a Way of Organizing Urb...Andalusian Influences: Water and the Revival of Narrow Stree...Applying Life Culture Meme System in Constructing Cultural L...Austerity, Neighborhood Mobilisation and ‘Commonplace Dive...Baukultur as Solution to Overtourism: Sustainable Urban Desi...Blurred Lines: The Transformation and Domination of Istanbul...Borders and Inclusion: Latin American Migrant Women Negotiat...Building Livable Cities through Intergenerational and Child-...Constructing Idealised Place Images through Official Discour...Creating Emotions to encounter Cultural Heritage supported b...Enhancing Urban User Experience: A Human-Centered Design Met...Enriching Well-being and Intercultural Engagement Through In...Evaluating the Long-Term Conservation Practices of Award-Win...Exploring Mining Heritage through the Tourist Area Life Cycl...Facilitating Stakeholder Learning and Knowledge Exchange for...Forms of Culture: Arts and Cultural Institutions, Typologies...From Amenity to Necessity: Benchmarking Public Open Space Pr...Gendered Borders and Bordered Genders: Henri Lefebvre's 'Rig...Geotrauma and War Memorialisation in Lebanese ComicsGhost Rivers: Visualizing a Buried Urban Stream and Lost Eco...Heritage Stories: A Mapping Practice Case Study with the Lou...Heritage Trap and Controversies in the Transformation of Co...Housing Instability and Chronic Disease Self-Management in a...How Reliable are Open Data Sources in Measuring the 15 Minut...Hybrid Ephemeral Inhabitation in Abu DhabiIdentified Problems and Expected Support by Cultural and Cre...In Search of the Desert Truffle, a Multidisciplinary Researc...Is Cairo a Runnable City? Spatiotemporal Analysis of the Com...Is The Greek City A 15-Minute City?Learning from Minimal Art and Minimalist ArchitectureMigrants as Activists in Maintaining the Cultural Landscape:...More Than Meets the AIMoving Cranes. Shipyards as Vectors of Uncertain Urban Devel...Music and Cultural Actions in Public Space as a Means of Urb...Nothing is Absent Whose Presence is to be Desired’: Syria...Participatory Approach to Conflict Resolution in the Context...Participatory Design and Development of Community Based Upcy...Participatory Design Workshop; The Case of Riyadh Municipali...Private Developments, Public Edges: Intermediary Spaces and ...Revitalizing Vietnamese Weaving Traditions through Computati...Safeguarding Intangible Cultural Heritage in Portugal (2008â...Singapore Pte Ltd: The Nation’s National GallerySocial Activism and Street Art: A Response to Transnational ...Space-Time-Use Transformations on Urban Disruptions: Communi...Territorial Dynamics in Contemporary Public Spaces - Praça ...The Ambivalent Livability of An Urban Fascist TraceThe Chandigarh Challenge: Balancing Cultural Heritage and F...The Diminishing Foodscape: Street Vending Amid the Drifting ...The effectiveness of using the Local Development Plan tool i...The Missing BuildingThe Paradoxes and Possibilities of Public SpaceThis Building Saves Lives: The Architecture of Harm Reductio...Trauma-Informed Planning for Immigrant Integration: Preceden...TRES: Building Communal Identity via Migratory Memory in Exp...Tulum's Economic and Urban Transformation: From Traditional ...Uncovering the Hidden Economic Benefits of Investment in the...Urban Cultural Infrastructure and the Foundations of Liveabi...Urban Planning in Search of New Approaches: Proposal for a C...Utilizing AI and Intelligent Infrastructure for Sustainable ...Wandering in Search of God: The City as a Space of Exile and...Yellow Bulldozers and Red Paint : The Impact of a Regenerati...
Schedule

IN-PERSON Lisbon Livable Cities. Section B

Cities, Culture, People & Place
TRES: Building Communal Identity via Migratory Memory in Experiential Art
A. Abad & S.M. Jones
11:00 am - 12:30 pm

Abstract

This paper provides a case study for exploring the potential to build community through partnership between artists, cities, and the general public in urban settings. TRES is an immersive solo installation of art works presented at various cities in Broward County, Florida. This sequence of projects began in the Fall of 2023 and continued through 2025 in cities that have large immigrant populations: Pembroke Pines, Pompano Beach, Coral Springs, and Fort Lauderdale. The themes and content relating to the artist’s own memories and sense of belonging initiate a public discourse by exploring her relationship to space and the moving image; audiences then have the opportunity to respond with their own memories, as a growing database of local public memories become part of a constituent video installation. Indoor and outdoor projections express cyclical change and transformation in a Magical Realist style that recontextualizes the extraordinary moments of the everyday in reimagined environments, via multimedia sculptures, animation, and live performance in collaboration with local musicians and dancers, to connect with the audience’s own memories of community and nature in South Florida. The installations begin by transforming hand-drawn memories, recomposing constituent elements into new forms that mirror the cyclical processes of nature; i.e., the natural world transforms into drawings, and then the drawings transform into animations or hanging sculptures. As the internal processes of the artist become externalized, they can serve the community by building a sense of connection to the present time and local space that affirms collective wellness and belonging.

Biography

Alejandra Abad is an interdisciplinary visual artist and Assistant Professor at Florida Atlantic University who explores belonging as key parts of collective wellness. Through layering, abstraction, and light, she creates audiovisual experiences that relate to place and community. Her style is informed by architectural studies at FAU, Film/Video/New Media/Animation at The School of the Art Institute of Chicago, and Interdisciplinary Media Art Practices at The University of Colorado. Recent work includes Lexicon de Plantas, a large-scale audiovisual participatory installation that was presented

Steve Jones was a UK Fulbright Scholar to the National Library of Wales in Aberystwyth from 2010-2011, where he conducted dissertation research on Welsh Modernist Literature. He received his PhD in British Literature from Ball State University in 2013 and his MA in Literature (with a concentration in Film Adaptation of Literature and Comics) from Indiana University in 2007. He has taught courses in Literature, Writing, and Film Studies. His scholarly work focuses on the areas of Modernist and Postcolonial Literatures, Cinema, and Comics. He is also a musician, playing in several bands in a variety of genres.